Broadway actors Mo Brady and Nikka Graff Lanzarone share about their new podcast, The Ensemblist.
Zayd Dohrn’s play, enjoying its West Coast premiere at L.A.’s Harold Clurman Laboratory Theater Company, challenges cast and audience alike on illegal immigration.
MFA thesis productions from Columbia University School of the Arts’ Theatre Program will be moving to new off-campus venues, including 3LD Art and Technology Center, the Connelly Theater, and La MaMato, to be closer to the heart of Off-Broadway.
Director Joy Zinoman and musical director William Anderson pair new musical pieces with three Samuel Beckett’s plays in the enlightening “Sounding Beckett,” from Cygnus Ensemble.
Playwright Caridad Svich and director José Zayas team up to adapt Gabriel García Márquez’s “Love in the Time of Cholera” for the stage, at Repertorio Español, with mixed results.
“Grimly Handsome,” writer-director Julia Jarcho’s elegant jumble of a play, from Incubator Arts Project, is not without its charms but fails to cohere, despite an exceptional cast.
“Futurology the Musical,” from the Negro Ensemble Company and Paper to Pen Production, is done in by sloppy direction, deadly pacing, and perfunctory-at-best choreography.
Victor Garber will host and Nina Arianda, Cheyenne Jackson, and Cristin Milioti are among the presenters at the CSA’s 28th annual Artios Awards ceremony Oct. 29 in New York City.
Broderick and O'Hara create a new classic in "Nice Work If You Can Get It," directed by Kathleen Marshall.
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.