theater

Tamara Tunie on Her Feinstein's Show and Audition Advice

Tamara Tunie talks about her upcoming cabaret show at Feinstein's and her film with Denzel Washington, and she gives valuable audition advice.

Transport Group Fails to Close on 'House for Sale'

“House for Sale,” Daniel Fish’s adaptation of Jonathan Franzen’s insightful essay on the state of America and selling his late mother’s home, at Transport Group, lacks theatricality.

'Rear Window' to Be Adapted for Broadway

The original source material for Alfred Hitchcock's classic film "Rear Window" will be adapted for Broadway by actor Tim Guinee, producer Charlie Lyons, and director Jay Russell.

New York Artios Awards Names 2012 Host and Presenters

Victor Garber will host and Nina Arianda, Cheyenne Jackson, and Cristin Milioti are among the presenters at the CSA’s 28th annual Artios Awards ceremony Oct. 29 in New York City.

Sundance Institute Announces New Award

The Sundance Institute announced the creation of the Tennessee Williams Award for emerging playwrights.

What’s the Best Broadway Can Be?

Ted Talks turns to the Great White Way for the second TedxBroadway in January 2013.

Diversity Must Not Compromise Artistic Vision, According to Artistic Directors

At a forum on diversity stages hosted by East West players, the artistic directors of L.A.'s leading theater companies couldn’t reach a consensus about expanding opportunities for minority actors.

Hip-Hop Romance 'How to Break' Has the Moves but Is Too Trite

In Aaron Jafferis’ hip-hop love story “How to Break,” at Here, moments of standout choreography help balance the often-syrupy dialogue but can’t rescue the moralistic script.

'Rebecca,' 'Spider-Man,' and 'Mormon' Oh My! Plus Which Star Got Fired?

"Rebecca" is still causing controversy; Mormons are advertising for "The Book of Mormon"; and an unnamed start got let go from her Broadway debut before it even began.

‘Wild With Happy’ Is Neither Wild Nor Happy

Writer-performer Colman Domingo’s convoluted new play “Wild With Happy,” at the Public Theater, plays on stereotypes and has little if any coherent dramatic structure.