Broadway actors Mo Brady and Nikka Graff Lanzarone share about their new podcast, The Ensemblist.
In Jennifer Maisel’s “The Last Seder,” an overly familiar premise, the dysfunctional-family holiday reunion, is bolstered by a uniformly excellent cast of 11 led by Greg Mullavey.
John Hurt takes a laser beam to “Krapp’s Last Tape,” Samuel Beckett’s melancholy slice of the human condition, from Center Theatre Group and Gate Theatre Dublin.
In “Tube,” from Incubator Arts Project, the Van Cougar ensemble brings charm and vulnerability to the Web generation’s favorite guilty pleasure, YouTube.
From screen stars Tom Hanks and Alec Baldwin to stage stars Jeremy Shamos and Bobby Cannavale, there’s something for everyone as shows rush to open in April before the Tony Award eligibility cutoff date.
Zayd Dohrn’s play, enjoying its West Coast premiere at L.A.’s Harold Clurman Laboratory Theater Company, challenges cast and audience alike on illegal immigration.
Stephanie J. Block chatted about "The Mystery of Edwin Drood," and her experience doing shows like "Wicked" and "The Boy From Oz."
Third Street Theatre’s intimate production of David Yazbek and Terrence McNally’s 2000 Broadway musical “The Full Monty” is charmingly determined though slightly off-kilter.
Versatile leads Harry Hamlin and Loretta Swit carry the NoHo Arts Center world premiere of Joshua Ravetch’s intricate two-hander “One November Yankee” past certain textual overcalculations.
Presented by City Garage with an oddball reverence and dripping with mid-20th-century style, this holiday-themed production of Eugène Ionesco’s “The Bald Soprano” is a real treat.