In storm’s aftermath, cast and crew members pull together to help each other, make sure the shows go on.
Instead of deepening voices and surging hormones, the teens in “Billy Witch,” Gregory S. Moss’ creepy summer-camp tale from Astoria Performing Arts Center, sprout tentacles and fur.
Original cast member Jeff Hiller brings the Off-Broadway hit “Silence! The Musical” to Los Angeles.
At the Antaeus Company George Bernard Shaw’s controversial classic “Mrs. Warren’s Profession” gets a new lease on life by focusing on how little has changed in the last 120 years.
Playwright-actor Suzanna Geraghty’s one-woman show “Auditions, Zoe’s Auditions Part 2,” at the Drilling Company Theater as part of the 1st Irish Festival, amusingly conveys the desperation of an aspiring actor.
Julie Kramer’s “The Best of Everything,” based on Rona Jaffe’s novel of the same name, avoids camp for an unflinching look at 1950s sexual mores.
On Thursday, Backstage spoke with the stars on the red carpet of the "Cyrano de Bergerac" Broadway opening.
Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.
“Pocahontas, and/or America,” at the Bushwick Starr, is a charming mess of a show that relies upon a homespun aesthetic to examine the role of Native Americans in popular culture.