In the Fringe show “My Date With Troy Davis,” the engaging Daniel Glenn considers such philosophical concerns as comparative moralities and the worth of human life with flair.
In “For Love,” at the Irish Repertory Theatre, actor-playwright Laoisa Sexton chronicles the messy romantic lives of three Dublin women with raunchy wit and quirky details.
The International Theatre Institute—and theaters across the globe—will celebrate the holiday next week, and in NYC, an internationally collaborated play will receive a live-streamed reading.
Iceland’s Vesturport Theatre combines dazzling acrobatics and dark humor in “Faust: A Love Story,” a striking adaptation of the classic legend, part of the BAM Next Wave Festival.
Playwright-actor Suzanna Geraghty’s one-woman show “Auditions, Zoe’s Auditions Part 2,” at the Drilling Company Theater as part of the 1st Irish Festival, amusingly conveys the desperation of an aspiring actor.
Jonathan Cake’s Benedick emerges victorious in the amorous skirmishes of Theatre for a New Audience’s handsome but unbalanced rendering of Shakespeare‘s “Much Ado About Nothing.”
Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.
The author of Atlantic Theater Company’s “I’m Gonna Pray For You So Hard” shares her insights on the oh-so-difficult writing process.
“Donka,” a polyglot European company’s take on Chekhov at Brooklyn Academy of Music, is a fun, surprisingly vital all-ages circus show with a tenuous connection to Russian drama.