The Sundance Institute is accepting submissions, now through Nov. 15, for its 2013 Theatre Lab, which helps aspiring playwrights develop their work.
Splendid performances, smooth direction, and Andrea Kuchlewska’s clever script make “Complete,” a parody of self-help cults, a provocative, highly amusing evening in the theater.
The Pantages Theatre and Nederlander Organization are inviting local high schools to participate in an actors' showcase that will see the best male and female performers take home $1,000 plus an all-expenses-paid trip to New York.
Paula Vogel’s “A Civil War Christmas,” at New York Theatre Workshop, set on Christmas Eve 1864, is a gorgeous tapestry of interconnected stories inventively staged by Tina Landau.
Graham Douglass talks with guests ranging from Nathan Lane to Adam Pascal to Julia Murney on his new web series.
Dukes and lords just yell at each other for most of The Production Company’s version of Shakespeare’s long, rarely performed history play.
Terry Johnson’s flawed 2000 stage adaptation of “The Graduate,” based on Charles Webb’s 1963 novel and Mike Nichols’ 1967 film version, misses the mark at Long Beach Playhouse.
The second annual event at New World Stages on Monday asked speakers to answer the question, “What is the best that Broadway can be?”
Wallace Shawn’s 1990 Obie-winning monologue “The Fever,” at La MaMa in a new adaptation by French-Romanian actor Simona Maicanescu and Swedish director Lars Norén, is riveting.
I have learned many truths since founding Shakespeare Behind Bars in Kentucky in 1995, bringing art, theater, and the works of William Shakespeare into correctional facilities.