Instead of deepening voices and surging hormones, the teens in “Billy Witch,” Gregory S. Moss’ creepy summer-camp tale from Astoria Performing Arts Center, sprout tentacles and fur.
Original cast member Jeff Hiller brings the Off-Broadway hit “Silence! The Musical” to Los Angeles.
At the Antaeus Company George Bernard Shaw’s controversial classic “Mrs. Warren’s Profession” gets a new lease on life by focusing on how little has changed in the last 120 years.
Clare Barron and Hansol Jung are among the playwrights selected in The List 2015, 53 under-produced new plays by female or transgender writers.
Julie Kramer’s “The Best of Everything,” based on Rona Jaffe’s novel of the same name, avoids camp for an unflinching look at 1950s sexual mores.
On Thursday, Backstage spoke with the stars on the red carpet of the "Cyrano de Bergerac" Broadway opening.
“Pocahontas, and/or America,” at the Bushwick Starr, is a charming mess of a show that relies upon a homespun aesthetic to examine the role of Native Americans in popular culture.
Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
At the Fountain Theatre Virginia Newcomb and Dan Shaked sensitively portray two autistic people in Ken LaZebnik’s “On the Spectrum,” which owes a small debt to “The Miracle Worker.”
In the Fringe show “My Date With Troy Davis,” the engaging Daniel Glenn considers such philosophical concerns as comparative moralities and the worth of human life with flair.