Richard Greenberg’s touching familial comedy-drama “The Assembled Parties,” from Manhattan Theatre Club, starring Judith Light and Jessica Hecht, is written with boundless affection.
Returning to Broadway this fall in “The Performers,” Ari Graynor is consciously fighting her recent state of apprehension regarding stage work.
TV special “Annie’s Search for Sandy” chronicles the surprisingly heartwarming search for the right dog to play Sandy in the Broadway revival of "Annie."
Three Los Angeles-area high schoolers will have the chance to perform on Broadway as part of the August Wilson Monologue Competition.
David Ives’ “All in the Timing,” consisting of six one-acts on the nature of time and language, are as sharp and funny as ever in this 20th-anniversary revival from Primary Stages.
Blake Ellis recalls working alongside James Carpenter in the San Jose Repertory Theatre's production of "The Dresser."
International City Theatre hasn’t, as advertised, re-envisioned “Ain’t Misbehavin’,” the 1978 Tony Award–winning Fats Waller revue, but that doesn’t mean the joint ain’t jumpin’.
Terrence McNally’s “Golden Age,” from Manhattan Theatre Club, offers Lee Pace, Bebe Neuwirth, and F. Murray Abraham in a winning meditation on the joys and costs of making art.
Kneehigh Theatre’s “The Wild Bride,” a self-described “feminist folk tale” at St. Ann’s Warehouse, is magical, high-spirited, and musically rich, a gale-force theatrical storm.
This darkly comic tale of greed gone wild does have its share of blood and laughs and looks great on the surface, but it doesn't go deep enough to really satisfy.