Francine Volpe’s new drama “The Good Mother,” at the New Group, is convoluted and uninvolving, save for Mark Blum’s hypnotically fascinating turn as a troubled therapist.
"Boardwalk Empire"'s Gretchen Mol discusses her return to the stage in The New Group's psychological thriller, "The Good Mother."
When actors are surrounded by bad choices in a theater production, you can choose to treat it as a life experience.
“Donka,” a polyglot European company’s take on Chekhov at Brooklyn Academy of Music, is a fun, surprisingly vital all-ages circus show with a tenuous connection to Russian drama.
The 2013 Hollywood Fringe festival will get an additional week of performances, organizers announced.
Songwriter Sam Willmott receives this year's Ebb Foundation Award, which comes with $50,000 and a one-night-only showcase of his work
Names such as Henry Winkler, Cheyenne Jackson, and Alicia Silverstone can’t save David West Read’s cynical “The Performers,” which plays like a square and very bad 1960s sex comedy.
P.J. Griffith is preparing to master the Public Theater's stage in the new musical, based on the book by Edna Ferber about a wealthy Texas landowner. Griffith originated the role at the Dallas Theater Center earlier this year.
Roundabout has revived Rupert Holmes’ 1985 musical of Charles Dickens’ “The Mystery of Edwin Drood” in director Scott Ellis’ brisk and bright, strikingly handsome production.
David Henry Hwang’s 1997 Obie Award–winning “Golden Child” returns via Signature Theatre in director Leigh Silverman’s exemplary production featuring a superb ensemble cast.