With the recent revival of the musical "Annie" opening this week, we look back on the many actors from the show's 35 years of productions.
Blake Ellis recalls working alongside James Carpenter in the San Jose Repertory Theatre's production of "The Dresser."
Carson McCullers’ “The Square Root of Wonderful” is getting a rare airing from Collaborative Artists Ensemble and Raven Theatre, but too many poor performances mar the production.
Casting directors came out from behind the curtain to be honored by their peers last night at the 25th Annual Artios Awards.
This darkly comic tale of greed gone wild does have its share of blood and laughs and looks great on the surface, but it doesn't go deep enough to really satisfy.
Author Nathan Englander makes an auspicious playwriting debut with “The Twenty-Seventh Man,” at the Public Theater with Chip Zien, Ron Rifkin, Daniel Oreskes, and Byron Jennings.
Funded by a FordhamUniversity grant, “Panoramania” tries to revive the story of painter John Banvard, but this Fringe show is little more than a research paper set to music.
The production will chronicle the life of Brooklyn-born King, who worked her way into the record business as a teenager and would go on to write some of the most popular songs in rock ‘n’ roll history.
"Boardwalk Empire"'s Gretchen Mol discusses her return to the stage in The New Group's psychological thriller, "The Good Mother."
At its best, “Giant,” Sybille Pearson and Michael John LaChiusa’s adaptation of Edna Ferber’s sweeping 1952 novel of Texas, at the Public Theater, is compelling musical theater.