At its best, “Giant,” Sybille Pearson and Michael John LaChiusa’s adaptation of Edna Ferber’s sweeping 1952 novel of Texas, at the Public Theater, is compelling musical theater.
Vanessa Redgrave and Jesse Eisenberg make a terrific team in “The Revisionist,” produced by Rattlestick Playwrights Theater at the intimate, historic Cherry Lane Theatre.
Craig Lucas has written a divertissement in “The Lying Lesson,” at Atlantic Theater Company, which offers a terrific Carol Kane as Bette Davis plus a gun, a knife, and a thunderstorm.
“Manilow on Broadway,” Barry Manilow’s return to the Main Stem after nearly 25 years, is a Las Vegas–style concert in which the pop star gives his audience exactly what it wants.
The award-winning actor chats with Backstage about coming full circle in “The Real Thing” on Broadway, opening Oct. 30.
Encores! concert version of “Fiorello!,” at New York City Center, is best enjoyed for its presentation of Jerry Bock and Sheldon Harnick’s witty and melodic score.
Ten theater companies around the country are recipients of the American Theatre Wing's 2012 National Theatre Company Grant.
Celebration Theatre and Center Theatre Group battled it out for top honors at Monday night's Ovation Awards in L.A.
Director Maria Aitken brings the Tony-winning Alfred Hitchcock parody hit back to New York, and reveals the remarkably specific skills required of its cast.
Michelle Clunie, star of TV's "Queer as Folk" and "Make It or Break It," on the satisfaction of writing her own work, seeing actors bring her words to life on stage, and performing her own pieces. Clunie's new play, "Us," is now running in New York.