Staying Fresh and Alive With Theater for One
Ana Margineanu, director of the recent “Hotel Project,” discusses the ways in which performers and spectators feed and replenish one another.
Staying Fresh and Alive With Theater for One
Ana Margineanu, director of the recent “Hotel Project,” discusses the ways in which performers and spectators feed and replenish one another.
The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.
Melodramatic 'Success Story' Hasn't Aged Well
Corporate greed is a vital topic, but ReGroup Theatre’s revival of John Howard Lawson’s creaky 1932 play “Success Story” doesn’t find relevance in an immoral businessman’s rise.
L.A.’s Don’t Tell Mama Parts Ways with Artistic Director
The West Coast branch of the famed “way station for people with big dreams” opened its doors Feb. 26. Ryan O’Connor, its artistic director, resigned effective March 12.
A new litter of singing and dancing felines hits the stage in Ellen Warkentine and Andrew Pedroza’s hysterical but uneven Fringe opera based on the Internet’s Lolcats photos.
TDF Launches Online Theater Dictionary
The Theatre Development Fund, best known for operating the TKTS Discount Booths, has developed an online theater dictionary that launched today.
'Virginia Woolf' Star Carrie Coon on Gary Oldman In 'Sid and Nancy'
Carrie Coon, who plays Honey in the Broadway revival of “Who’s Afraid of Virginia Woolf?”, calls Gary Oldman's performance in "Sid and Nancy" " ... so out there."
Seattle’s ‘First Date’ Headed to B’way
Previews for the new musical, currently enjoying its world premiere in Seattle, are scheduled to start July 9, with an opening date of Aug. 4.
In 'I'm Dop3!,' Afia Fields Celebrates Survival
Afia Fields’ one-woman show “I’m Dop3!,” at Elephant Studio Theatre, tells the powerful story of the challenges she has faced as the survivor of a deadly house fire.
Equity Actors Aren’t Joining Kravis Boycott—Yet
The Actors’ Equity Association won’t join a growing union boycott of West Palm Beach’s Kravis Center—at least not yet.