When actors are surrounded by bad choices in a theater production, you can choose to treat it as a life experience.
Two-time Tony nominee Patina Miller re-invents the central role of the Leading Player in Diane Paulus’ circus-filled revival of Stephen Schwartz’s “Pippin.”
In “Scandalous,” Kathie Lee Gifford’s flimsy, expository musical about the life of evangelist Aimee Semple McPherson, Carolee Carmello works miracles in a must-see performance.
Casting director Pat Goodwin of Telsey + Co shares about the casting process for the Broadway revival of "Annie," and discusses the upcoming PBS documentary "Annie: It's the Hard-Knock Life, From Script to Stage."
We spoke with the very mysterious Annoying Actor Friend (or @Actor_Friend on Twitter) about their Internet fame, advice for actors, and bestselling e-book “#SOBLESSED: The Annoying Actor Friend's Guide to Werking in Show Business!"
Sigourney Weaver, David Hyde Pierce, and Kristine Nielsen hit Broadway with Christopher Durang’s “Vanya and Sonia and Masha and Spike,” easily the season’s best new play to date.
Amy Brenneman talks about her new projects, "Rapture, Blister, Burn," at the Geffen Playhouse and "The Leftovers" pilot for HBO and shares her secrets for creating strong characters on stage and on screen.
Thomas is thrilled to star in "Pippin," which is currently in previews on Broadway and officially opens April 25 at the Music Box Theater.
Simon Stephens’ “Harper Regan,” getting its American premiere at Atlantic Theater Company after debuting at London’s National Theatre in 2008, is far too muddled for its own good.
Diane Paulus’ circus-inspired, beautifully buoyant, intoxicatingly sensual revival of Stephen Schwartz and Roger O. Hirson’s “Pippin” ends the Broadway season on a grand high.