The six-time Emmy nominee for his role on “St. Elsewhere” stars as the President of the United States in Mamet’s “November,” running at the Mark Taper Forum in Los Angeles.
Craig Burns and Rachel Hoffman of New York-based Telsey + Company are scheduled to be part of the Foundation’s week-long Summer Performing Arts Intensive programs.
Theatre Communication Group’s newest initiative provides leaders of color the means to promote diversity and inclusion in the industry.
“The Assistants,” Joel Sinensky’s dark new play about shallow reality-TV producers and their lackeys, at Loft Ensemble, starts out strong but turns formulaic and loses steam.
A charge of long-ago sexual abuse triggers the action of Amy Herzog’s “The Great God Pan,” a moving and unsettling look at the nature of identity, from Playwrights Horizons.
With a new production in rehearsal, Burbank's Colony Theatre needs a cash infusion or it faces closure.
Carrie Coon, who plays Honey in the Broadway revival of “Who’s Afraid of Virginia Woolf?”, calls Gary Oldman's performance in "Sid and Nancy" " ... so out there."
The love was definitely in the room at the 58th annual Village Voice Obie Awards, which were hosted by Jessica Hecht and Jeremy Shamos at Webster Hall on Monday night.
The Diane Paulus-directed revival earned 11 OCC nominations this morning, while “Kinky Boots” and “Chaplin” trailed with 9 and 8, respectively.
“Detroit ’67,” Dominique Morisseau’s new play about the Detroit race riots that’s part of the Public Theater’s Public Lab program, is appealing but lacking in tension and conflict.