The Tony Award-winning musical has turned profitable after only 21 weeks, which is faster than any new Broadway musical in more than a decade.
Ana Margineanu, director of the recent “Hotel Project,” discusses the ways in which performers and spectators feed and replenish one another.
Difficult economic conditions and budget cuts are a constant reality in nonprofit theaters across the country, with the past several years seeing a concentration of theaters closing doors, laying off staff, or reorganizing.
Jeff Bernhardt’s “Therapy,” at the Secret Rose Theatre, is a well-performed, interesting visit with three therapists and a patient whose issues touch each of them, but it’s too safe.
Rogue Artists Ensemble has pulled out all of the design stops for “Songs of Bilitis,” a muddled pastiche of words, imagery, music, and movement at Bootleg Theater short on story.
Probably a must for Sondheim fans who have never seen this one-act, dialogue-free, “outtakes” musical, but a lesser reminder for those of us who have.
Richard Horvitz gives an amusing performance as misfit little boy Jeffrey in Theatre 40’s two-hander about etiquette school in the ‘60s, but the show misses several opportunities for laughs.
The stars of "Bring It On" discuss making their Broadway debuts in the musical written by Jeff Whitty, Lin-Manuel Miranda, Tom Kitt, and Amanda Green.
Local 32BJ of the Service Employees International Union, representing Broadway theater service workers, threatens to strike if new contract isn’t approved by Dec. 30.
A new litter of singing and dancing felines hits the stage in Ellen Warkentine and Andrew Pedroza’s hysterical but uneven Fringe opera based on the Internet’s Lolcats photos.