The purpose of the workshop is to create “a learning environment for members to experiment, take risks and learn from moderators and other participants,” according to a press release.
“The Assistants,” Joel Sinensky’s dark new play about shallow reality-TV producers and their lackeys, at Loft Ensemble, starts out strong but turns formulaic and loses steam.
"Dogfight," "The Piano Lesson," and "The Whale" took home the top awards for best musical, best revival, and best play at the 2013 Lucille Lortel Awards, which were presented in a ceremony at NYU's Skirball Center on Sunday night.
The Tony Awards are coming up on June 9! Leading up to Broadway's biggest night, we'll be sharing some of our exclusive videos with the nominees as we chat with them about the lessons they've learned along the way.
Dorothy Fortenberry’s “Mommune,” from Chalk Repertory Theatre, about delinquent mothers and staged in a real daycare center, is an unusual but uncertain theatergoing experience.
Guy Picot’s “The Christmas Present,” at Sacred Fools Theater Company, is a smart and satisfying treat, a bittersweet seasonal comedy that’s full of unexpected surprises.
Lee Pace, who is starring in "Golden Age" Off-Broadway, says Joe Mantello gives a "master class" in acting in "The Normal Heart."
Dani Vetere’s “Hadrian’s Wall,” a Fringe entry, is a rather odd romantic-triangle drama about the hegemony of the male species with a lesbian twist.
The jokes may have been fresh 86 years ago, but ReGroup Theatre’s slapdash production of John Howard Lawson’s antiquated political farce “Loud Speaker” is neither relevant nor funny.
The Southern California finalists will be competing on the stage at the Mark Taper Forum for one of three spots at the May 6 finale in New York.