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  • News

    2012 Ovation Awards Nominations Announced

    Center Theatre Group leads pack with 29 nods, followed by Celebration Theatre and Musical Theatre West with 16.

  • Reviews

    Collected Stories

    April Lang and Natalie Sutherland give fine performances in Pulitzer Prize winner Donald Margulies’ two-hander “Collected Stories,” a guest production at Odyssey Theatre Ensemble.

  • Reviews

    The Bellflower Sessions

    Andy Bloch’s “The Bellflower Sessions,” at the Whitefire Theatre, gives us a taste of some funny stuff and a few standout performances but is ultimately too hard to swallow.

  • News

    Variations Theatre Group to Construct New Space

    The theater company's 4,000-square-foot Chain Theatre in Long Island City is expected to be completed by October 2012.

  • Reviews

    Chaplin

    Despite charismatic work by Rob McClure as Charlie Chaplin and Warren Carlyle’s busy direction, nobody escapes Christopher Curtis’ dismally dull biographical musical unscathed.

  • Reviews

    Mary Broome

    Mint Theater Company’s captivating revival of Allan Monkhouse’s slyly subversive 1911 drawing-room comedy, “Mary Broome,” ranks right up there with the troupe’s best offerings.

  • Reviews

    Silence! The Musical

    The hit Off-Broadway parody “Silence! The Musical” gets a take-no-prisoners L.A. premiere at the Hayworth Theatre, with Davis Gaines and Christine Lakin in the leading roles.

  • Reviews

    Everything That Is the Case for Two Young Women on the Eve of the Great War Among Other Elegant Lies

    Frank Boudreaux’s cleverly titled “Everything That Is the Case for Two Young Women on the Eve of the Great War Among Other Elegant Lies,” at Incubator Arts, is fun but too dense.

  • Advice

    How CD Sarah Finn Went from Acting in Theater to Casting Marvel's Movies

    The casting director cut her teeth at New York's Ensemble Studio Theatre, with actor Mark Ruffalo, before becoming one of the top CDs in Hollywood.

  • Reviews

    The Train Driver

    Directed too deliberately by its author, Athol Fugard’s 2009 play “The Train Driver,” getting its NYC premiere at Signature Theatre, is barely dramatic and too obviously symbolic.