Jeff Sproul’s hilariously campy “Space Captain: Captain of Space!,” from No Tea Productions, employs hokey video effects and a bombastic style to lampoon 1930s sci-fi serials.
Gary Cole relives seeing Michael Shannon and Paul Dillon perform in "Killer Joe."
Ten theater companies around the country are recipients of the American Theatre Wing's 2012 National Theatre Company Grant.
NYC Performing Arts Spaces launched Aug. 27, allowing theater makers an easy way to search for available venues that suit their needs.
“Tender Napalm,” English playwright Philip Ridley’s pretentious portrait of a troubled marriage, at 59E59 Theaters, submerges two terrific actors in a sea of overwrought verbiage.
Silverstone will return to Broadway in the porn industry comedy “The Performers,” while Akerman has been cast in a key recurring role on the ABC sitcom “Suburgatory.”
A romantic moment between two male leads and the addition of brief male nudity derail the L.A. Gay and Lesbian Center’s fall production of “Deathtrap,” after playwright Ira Levin's estate revokes the rights.
Sony Pictures inks a new deal to bring its movies, like "Tootsie," to the stage. Can the film industry giant match its own critical and commercial success on Broadway?
With new movie “End of Watch” and his American stage debut in “If There Is I Haven’t Found It Yet,” Jake Gyllenhaal says goodbye to the old and hello to the new.
Jake Gyllenhaal talks about finding a fresh way of doing things for his upcoming movie "End of Watch" and his American stage debut in "If There Is I haven't Found It Yet."