Difficult economic conditions and budget cuts are a constant reality in nonprofit theaters across the country, with the past several years seeing a concentration of theaters closing doors, laying off staff, or reorganizing.
Jeff Bernhardt’s “Therapy,” at the Secret Rose Theatre, is a well-performed, interesting visit with three therapists and a patient whose issues touch each of them, but it’s too safe.
Director Nicholas Hytner and star Simon Russell Beale make Shakespeare’s “Timon of Athens” a contemporary cautionary tale of ruthless capitalism in this dazzling NT Live broadcast.
Equity actor Pilar Millhollen became yet another casualty of the economy a few months ago when her agent dropped her, along with several other clients.
After a two-plus-weeks strike, Philadelphia Theatre Company (PTC) has finally struck an agreement with IATSE Local 8, representing the theater's stagehands.
Local 32BJ of the Service Employees International Union, representing Broadway theater service workers, threatens to strike if new contract isn’t approved by Dec. 30.
Elisabeth Gray’s undeniably appealing solo show “Southern Discomfort” has yet to discover what it is that makes it stand out from every other actor-generated one-person piece.
Shuler Hensley sat down with Backstage to talk about musical theater, classical training, and handling perceptions as an actor.
Target Margin’s revival of the classic Yiddish drama “The (*) Inn” turns a potentially haunting and emotionally explosive plot into an unaffecting exercise in flat storytelling.
“Strange Bedfellows,” a tale of a gay politician, borrows too much from Howard Hawks’ 1940 film “His Girl Friday,” but Theatre Out’s world premiere is a fast-paced lark.