If you've seen "Glee" or "High School Musical" you must know everything about kids and musical theater, right? No way. "Broadway or Bust'," a new three-hour documentary series from PBS and WGBH Boston, follows 60 high school students from across the country in New York City as they rehearse ...
The upcoming revival of the David Mamet play, scheduled to open Nov. 11 at the Schoenfeld Theater, marks the 30th anniversary of its first Broadway production.
A stunningly versatile Alan Cumming leads us into dark corridors of the human mind in this near-solo staging of Shakespeare’s “Macbeth, from the National Theatre of Scotland.
Penny Jackson’s provocative “I Know What Boys Want,” from Ego Actus, spurs a dialogue about the dangers of the Internet; led by a fiery Sara Hogrefe, the young cast impresses.
Paul Downs Colaizzo’s “Really Really,” from MCC Theater, is a glaringly manipulative “Did it happen or didn’t it?” melodrama about contemporary college students behaving badly.
"Love's Labour's Lost" star Rebecca Naomi Jones talks about working hard, networking, and getting typed as an actor.
In John Logan’s solo show “I’ll Eat You Last: A Chat With Sue Mengers,” Bette Midler is disappointingly content to reprise her Divine Miss M persona, and Mengers goes missing.
Nalaga’at Theater’s sublime “Not by Bread Alone,” performed by deaf-blind actors, reveals the power of theater to enrich our understanding of humans as innately social beings.
In “If There Is I Haven’t Found It Yet,” Jake Gyllenhaal explores what he thinks is the most important thing: family.
Theatrical press agent Emily Owens on staying on the same page, the importance of having the facts about your show straight, and why connections are important.