Now in its 10th year, Off-Off-Broadway company Ars Nova has been the incubator for such hits as Bridget Everett’s “At Least It’s Pink” and “Natasha, Pierre and the Great Comet of 1812.”
Mike Bencivenga’s “Billy & Ray,” directed by Garry Marshall for Falcon Theatre, dramatizes the creation of Billy Wilder and Raymond Chandler’s screenplay for “Double Indemnity.”
From the rise of storefront theater companies to the Windy City’s long history with turning out groundbreaking comedians to the films and TV shows shooting there, we look at Chicago’s healthy and vibrant arts scene
Quiara Alegría Hudes’ Pulitzer-winning “Water by the Spoonful,” at Second Stage Theatre, is an admirable but flawed attempt to engage important issues of addiction and redemption.
“Einstein on the Beach,” Robert Wilson, Philip Glass, and Lucinda Childs’ 1976 mystifying avant-garde operatic masterpiece, returns to BAM more polished and effective than ever.
National Theatre Live’s broadcast of the stage adaptation of Mark Haddon’s international bestseller “The Curious Incident of the Dog in the Night-Time” is absolutely marvelous.
Watch the video below to hear from some of Broadway's biggest talent about what acting advice and life lessons they wish they knew early in their careers.
Brian Friel’s “The Freedom of the City,” a 1973 work about the “Bloody Sunday” protest in Northern Ireland, gets a first-rate production from Irish Rep but proves uninvolving.
With a book co-written by one of L.A.’s most noteworthy publicists and a delightfully irreverent score screwing the movie business to its sticking place, the fresh new musical “Justin Love” emerges as a great Hollywood love story.
Wendy MacLeod's “The Water Children” tackles the complex issue of abortion with wit and compassion in a sharp production from new theater company Goodly Rotten Apple Productions.