Erich Bergen and Rachel York display triple-threat musical comedy skills in the national tour of Roundabout Theatre’s Tony Award–winning revival of Cole Porter’s “Anything Goes.”
Amber Iman, who is making her Broadway debut as Nina Simone in "Soul Doctor," chats about the importance of breaking from the mold, researching the role, and enjoying the ride.
A new psychological study, "Holding a Mirror Up to Nature: Psychological Vulnerability in Actors," evaluates the effects of portraying other people.
“Spring Awakening,” Steven Sater and Duncan Sheik’s 2006 Tony-winning musical based on Frank Wedekind’s 1891 drama, gets a heartbreakingly honest production from La Mirada Theatre.
A treasured Broadway tradition, the Gypsy Robe connects casts and ensembles offstage.
I couldn’t have offered anyone a project worth believing in – or characters worth caring about – had I not written something unique to my own fixations.
La Mirada's Producing Artistic Director Brian Kite shares insight into the theater's casting process and what he's looking for in actors.
Dave Malloy’s “Natasha, Pierre & the Great Comet of 1812,” beautifully staged by Rachel Chavkin, drags slightly but offers an insightful musical adaptation of Tolstoy’s “War and Peace.”
Kirsten Holly Smith is Dusty Springfield incarnate in this musical bio, which is ramshackle in dramatic terms but makes for a dandy evening of the singer’s greatest hits.
Tony Award winner Tyne Daly and producers Jamie deRoy and Ted Snowdon will be honored at Primary Stages' annual gala.