This staging of Maxwell Anderson’s rarely produced 1933 drama concerning a House Appropriations Committee tug-of-war is an engaging ensemble piece with startling parallels to 2012 politics. Especially recommended for Civics class geeks.
Penny Jackson’s provocative “I Know What Boys Want,” from Ego Actus, spurs a dialogue about the dangers of the Internet; led by a fiery Sara Hogrefe, the young cast impresses.
Atlantic Theater Company founding member Mary McCann shares how hard work and determination have supported her life in the theater.
British playwright Nick Payne’s riveting drama “If There Is I Haven’t Found It Yet,” Off-Broadway from Roundabout, features a terrific Jake Gyllenhaal in his American stage debut.
With “Eterniday,” at La MaMa, author Charles Mee continues his collaboration with experimental dance-theater group Witness Relocation, in a raucously fun collage about connection.
We spoke with Christian Camargo, known to many for his roles on “Dexter” and in the “Twilight’ films, about tackling Shakespeare, perfecting his craft, and staying in the moment.
In Colm Tóibín’s 90-minute monologue “The Testament of Mary,” Fiona Shaw plays a very human Virgin Mary, but director Deborah Warner’s calculated symbolic clutter swamps the text.
The Inland Valley Repertory Theatre in Claremont, Calif. is seeking to talent for its production of “Gypsy.”
I couldn’t have offered anyone a project worth believing in – or characters worth caring about – had I not written something unique to my own fixations.
After 20 years, the Theatre Alliance calls it quits and spreads out its programs to the Walnut Street and Wilma theaters.