Mia Guzman is just one of many actors who has been cast through Backstage!
Names such as Henry Winkler, Cheyenne Jackson, and Alicia Silverstone can’t save David West Read’s cynical “The Performers,” which plays like a square and very bad 1960s sex comedy.
Based on the 2005 film, “Kinky Boots”—songs by Cyndi Lauper, book by Harvey Fierstein, direction and choreography by Jerry Mitchell, and starring a powerhouse Billy Porter—works.
Playwright Richard Greenberg has adapted Truman Capote's "Breakfast at Tiffany's" for the stage; it will be opening on Broadway in February 2013.
The upcoming revival of the David Mamet play, scheduled to open Nov. 11 at the Schoenfeld Theater, marks the 30th anniversary of its first Broadway production.
As a modern update of a venerable genre, Amy Freed’s “Restoration Comedy,” at the Flea, succeeds only partially, but as a freewheeling Tribeca party night the evening is aces.
Three young women get drunk with life-changing results in this unevenly paced production of “The Drunken City,” Adam Bock’s unmemorable 2008 comedy about liquor and love.
At South Coast Repertory, director David Emmes gives Alan Ayckbourn’s “Absurd Person Singular” an ideally cast staging, its finger on the pulse of this tragicomic masterwork.
Lincoln Center Theater’s formidable revival of Clifford Odets’ “Golden Boy,” under Bartlett Sher’s acute direction, has a knockout performance from Seth Numrich in the title role.
Now in its 10th year, Off-Off-Broadway company Ars Nova has been the incubator for such hits as Bridget Everett’s “At Least It’s Pink” and “Natasha, Pierre and the Great Comet of 1812.”