Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
Three young women get drunk with life-changing results in this unevenly paced production of “The Drunken City,” Adam Bock’s unmemorable 2008 comedy about liquor and love.
Now in its 10th year, Off-Off-Broadway company Ars Nova has been the incubator for such hits as Bridget Everett’s “At Least It’s Pink” and “Natasha, Pierre and the Great Comet of 1812.”
George S. Kaufman and Moss Hart’s warhorse “You Can’t Take It With You” will likely never be put out to pasture, and the prolific Antaeus Company brings it to a full gallop.
Broadway’s Spring 2013 season is looking to be a slate of revivals, star vehicles, and British imports.
Just four years after the last revival of “Cat on a Hot Tin Roof,” Scarlett Johansson will tackle the iconic play—proving once again power of casting movie stars on Broadway.
Tracee Chimo talks about working in downtown theater, the pressure to move to Los Angeles, and believing in yourself no matter what.
Writer-performer Steven Strafford’s “Methtacular!” breaks no new ground in the genre of drug-addiction narratives but still feels fresh and funny, thanks to his charming presence and musical comedy style.
Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.