Open Fist delivers a solid production of Caryl Churchill’s 1996 play “Mad Forest,” a fascinating look at Romania’s 1989 revolution, thanks to Marya Mazor’s terrific direction.
We spoke with Christian Camargo, known to many for his roles on “Dexter” and in the “Twilight’ films, about tackling Shakespeare, perfecting his craft, and staying in the moment.
Just four years after the last revival of “Cat on a Hot Tin Roof,” Scarlett Johansson will tackle the iconic play—proving once again power of casting movie stars on Broadway.
Tracee Chimo talks about working in downtown theater, the pressure to move to Los Angeles, and believing in yourself no matter what.
With Jordan Dean’s Skipper excised from “Cat on a Hot Tin Roof,” starring Scarlett Johansson, Backstage digs into the contractual ramifications of that choice for the actor.
A new psychological study, "Holding a Mirror Up to Nature: Psychological Vulnerability in Actors," evaluates the effects of portraying other people.
Leigh chatted with us about the lessons she's learned, what it's like following Julie Andrews, and the things she will—and will not—miss.
“Totally Tubular Time Machine,” at Culture Club, is an interactive theatrical experience in a real nightclub that’s part musical revue, part homage to popular music, and all party.
George S. Kaufman and Moss Hart’s warhorse “You Can’t Take It With You” will likely never be put out to pasture, and the prolific Antaeus Company brings it to a full gallop.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.