Three young women get drunk with life-changing results in this unevenly paced production of “The Drunken City,” Adam Bock’s unmemorable 2008 comedy about liquor and love.
Pasquale plays Frank, the husband of Cathy (Kelli O'Hara), who is a closeted homosexual in 1950s Connecticut in "Far From Heaven" at Playwrights Horizons.
A treasured Broadway tradition, the Gypsy Robe connects casts and ensembles offstage.
Clayton chatted with Backstage about working with Falco, discovering his acting passion, starting his own theater company and gaining professional status as an actor.
George S. Kaufman and Moss Hart’s warhorse “You Can’t Take It With You” will likely never be put out to pasture, and the prolific Antaeus Company brings it to a full gallop.
In Daniel Sullivan’s unevenly directed revival of David Mamet’s Pulitzer Prize–winning “Glengarry Glen Ross,” Al Pacino entertains but makes a miscalculation fatal to the play.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
Presented by Pan Asian Rep and intelligently directed by Ernest Abuba, this exquisitely acted play about Alberto Giacometti is entrancing despite Alvin Eng’s heavy-handed script.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.