It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
One of the creators of STOMP, Luke Cresswell, discusses how they keep the percussion show fresh for audiences after 20 years.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.
Presented by Pan Asian Rep and intelligently directed by Ernest Abuba, this exquisitely acted play about Alberto Giacometti is entrancing despite Alvin Eng’s heavy-handed script.
Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
Bethany Knox of Telsey + Company is casting the project, which runs March 10-April 12 in New York City.
Writer-performer Steven Strafford’s “Methtacular!” breaks no new ground in the genre of drug-addiction narratives but still feels fresh and funny, thanks to his charming presence and musical comedy style.
Despite tour de force work from Gardner Reed and Edwin Cahill, P.H. Lin’s “Zelda at the Oasis,” a two-hander about F. Scott Fitzgerald’s bipolar wife, doesn’t jell or persuade.
Aléna Watters, a Broadway actor who is featured in Stephanie Riggs’ new documentary “The Standbys,” offers her advice for Broadway understudies.