Theatrical press agent Emily Owens on staying on the same page, the importance of having the facts about your show straight, and why connections are important.
With Cate Blanchett praising Australian theater during her Oscars acceptance speech, the timing couldn’t be better for Australian Theatre Company to set up shop in Los Angeles.
A stunningly versatile Alan Cumming leads us into dark corridors of the human mind in this near-solo staging of Shakespeare’s “Macbeth, from the National Theatre of Scotland.
“JonBenet Ramsey: Murder Mystery Theater!!!,” a Frigid Festival musical parody of the murder case of the toddler beauty queen, balances between wicked satire and sick humor.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."
"Southern Discomfort" evolved out of my desire to explore a humorous, tragic, and honest vision of the South I grew up in and the fascinating people who inhabit it.
“Pippin,” “The Glass Menagerie,” “Love’s Labour’s Lost,” “Mr. Burns, A Post-Electric Play,” and “Bad Jews” have the best ensembles of the year.
Rebecca Lenkiewicz’s brilliant translation of Henrik Ibsen’s “An Enemy of the People” receives an expert production directed by Doug Hughes, with an astounding ensemble led by Boyd Gaines and Richard Thomas.
Ben Johnson’s 1606 comedy about greed, “Volpone,” from Red Bull Theater, is deliciously silly and features a cast including Stephen Spinella, Tovah Feldshuh, and Alvin Epstein.
La Mirada Theatre’s slickly professional staging of the 2008 revival version of Marc Camoletti’s “Boeing-Boeing” is sexy, fluffy, and frantic but also silly and patently illogical.