One of the creators of STOMP, Luke Cresswell, discusses how they keep the percussion show fresh for audiences after 20 years.
With Jordan Dean’s Skipper excised from “Cat on a Hot Tin Roof,” starring Scarlett Johansson, Backstage digs into the contractual ramifications of that choice for the actor.
At Soho Rep, Jackie Sibblies Drury’s “We Are Proud to Present a Presentation…,” about Germany’s virtual extermination of the Herero people of Namibia, is pulse-pounding theater.
Andrew Osborne’s hapless new comedy “No Love,” at the Eclectic Company Theatre, lacks reason, a point, and performances and production values that might mitigate its inadequacies.
The Eugene O’Neill Theater Center, launching pad of everything and everyone from "Avenue Q" to Meryl Streep, celebrated its 50th anniversary with a gala event July 11.
"First Date" star Bryce Ryness chats about auditions, pre-show rituals, and balancing family and career.
The Tony winner, who also had famous roles on TV's "Who's the Boss?" and "One Life to Live," shared with Backstage her secrets to maintaining a long and successful career. Light will be back on Broadway this spring in "The Assembled Parties," which starts performances March 21.
Ben Hill founded the Hollywood Fringe Festival (and designed the website), which runs June 5–30 (including previews) at venues around Hollywood.
Rob McClure showcases some of his new talents - tightrope walking, violin playing, rollerskating - that he learned for the role.
Director-choreographer Lynne Taylor-Corbett mistakes Donna Moore’s “Cougar the Musical,” at St. Luke’s Theatre, for a show of substance, and what should be a frolic lacks oomph.