Chaim Potok’s hit novel “My Name Is Asher Lev” makes an uneasy transition from page to stage, but Gordon Edelstein’s sure direction and commanding performances smooth out the bumps.
Inside Broadway, a leading arts education not-for-profit, is partnering with the Broadway revival of “Annie” to offer two free “Creating the Magic” events to local children.
Diane Paulus, the artistic director of the American Repertory Theater and director of the Broadway revival of “Pippin,” shares what she looks for in actors.
Michael Kimmel discusses "The Last Goodbye," a musical adaptation of "Romeo and Juliet" with Jeff Buckley music, and how he collaborates with actors.
James Lapine and Stephen Sondheim’s 1994 Tony Award–winning musical “Passion” suffers under John Doyle’s dry, overintellecutalized, slackly paced direction at Classic Stage Company.
Long Beach Playhouse has a disaster on its hands with David Lindsay-Abaire’s first play, “Fuddy Meers,” a Christopher Durang–like comedy that stubbornly refuses to come to life.
A possible touring version of the Broadway musical resurrects safety questions.
There’s so much that’s right about director James Lapine’s joyous revival of “Annie” that it’s particularly painful to have to note the one element that isn’t working.
Betsy Wolfe discusses how she's learned to trust her instincts in Roundabout Theatre Company's revival of "The Mystery of Edwin Drood."
Pasquale plays Frank, the husband of Cathy (Kelli O'Hara), who is a closeted homosexual in 1950s Connecticut in "Far From Heaven" at Playwrights Horizons.