The Eugene O’Neill Theater Center, launching pad of everything and everyone from "Avenue Q" to Meryl Streep, celebrated its 50th anniversary with a gala event July 11.
Jennifer Haley’s “The Nether,” a world-premiere technology-gone-dangerous drama from Center Theatre Group, is acted to the nines by Robert Joy, Dakin Matthews, and Brighid Fleming.
Signature’s elegant revival of David Henry Hwang’s 1981 “The Dance and the Railroad,” which mixes Chinese opera with building America’s transcontinental railroad, is memorable.
Tracee Chimo talks about working in downtown theater, the pressure to move to Los Angeles, and believing in yourself no matter what.
The Tony winner, who also had famous roles on TV's "Who's the Boss?" and "One Life to Live," shared with Backstage her secrets to maintaining a long and successful career. Light will be back on Broadway this spring in "The Assembled Parties," which starts performances March 21.
Ben Hill founded the Hollywood Fringe Festival (and designed the website), which runs June 5–30 (including previews) at venues around Hollywood.
Rob McClure showcases some of his new talents - tightrope walking, violin playing, rollerskating - that he learned for the role.
Director-choreographer Lynne Taylor-Corbett mistakes Donna Moore’s “Cougar the Musical,” at St. Luke’s Theatre, for a show of substance, and what should be a frolic lacks oomph.
An American version of an English panto, “A Snow White Christmas,” starring Ariana Grande at Pasadena Playhouse, offers sparkling music while appealing both to kids and adults.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.