Logan Marshall-Green talks about playing a role he's longed to play in "Miss Julie," and offers advice for staying vital as an actor.
There’s so much that’s right about director James Lapine’s joyous revival of “Annie” that it’s particularly painful to have to note the one element that isn’t working.
Laurie Metcalf is devastating in Sharr White’s penetrating dementia drama “The Other Place,” originally from MCC Theater and now on Broadway courtesy of Manhattan Theatre Club.
Jeanette Driver’s breakout turn brings emotional force to the L.A. debut of “Nora,” Ingmar Bergman’s searing reduction of Ibsen’s “A Doll’s House,” at Pacific Resident Theatre.
Though it’s atmospherically rich and solidly performed, Adam Rapp’s new play set in a war-ravaged New York ultimately sags under an excess of exposition.
Anthony Warlow has played billionaire Oliver Warbucks Down Under before, but he sees this production as an opportunity to put a different stamp on the role.
Director Anne Bogart and SITI Company fail to bring the necessary drive and energy to “Trojan Women (After Euripides),” at BAM, yielding a staid and artificial production.
Encores! concert version of “It’s a Bird… It’s a Plane… It’s Superman,” featuring an irresistible Strouse and Adams score, is one of the company’s most entertaining shows to date.
A possible touring version of the Broadway musical resurrects safety questions.
Gary Cole relives seeing Michael Shannon and Paul Dillon perform in "Killer Joe."