Ike Holter’s “Hit the Wall” attempts to dramatize the Stonewall Riots but is done in by its cavalier lack of historical accuracy, stereotyped characters, and emotional histrionics.
Elaine Stritch, Edward Albee, Ellen Adler, Kate Mulgrew, and Howard Shalwitz honored the life and work of Stella Adler in a panel on Monday night.
The star of Broadway's "Venus in Fur" and the new film "Hysteria" shares his worst audition experience and why a film career caught him by surprise.
Stephen Adly Guirgis’ ruthlessly funny “The Motherf**ker With the Hat,” about love, fidelity, and substance abuse, gets an expertly acted staging from South Coast Repertory.
Bruce Graham’s “The Outgoing Tide” is a poignant family drama, given an estimable if imperfect production with Michael Learned and Peter Strauss as a long-married couple facing Alzheimer’s.
“Totally Tubular Time Machine,” at Culture Club, is an interactive theatrical experience in a real nightclub that’s part musical revue, part homage to popular music, and all party.
Lloyd Suh’s charismatic “Jesus in India,” from Ma-Yi Theater Company, excels by presenting the teenage Jesus of Nazareth as an angsty adolescent punk rocker in first-century India.
Tarrell Alvin McCraney’s “In the Red and Brown Water” get its L.A. premiere courtesy of Fountain Theatre in director Shirley Jo Finney’s fluid, highly charged production.
Playwrights across the world are encouraged to submit their work to the second annual festival, be it play, musical, or puppetry
Diane Paulus, the artistic director of the American Repertory Theater and director of the Broadway revival of “Pippin,” shares what she looks for in actors.