A possible touring version of the Broadway musical resurrects safety questions.
Get coached on how to vocally style your audition for shows like “Kinky Boots,” “American Idiot,” and “Rock of Ages!”
“It’s a Wonderful Life: A Live Radio Play,” Anthony E. Palermo’s 60-minute re-imagining of Frank Capra’s classic 1946 film, at the Irish Repertory Theatre, is a holiday keeper.
Logan Marshall-Green talks about playing a role he's longed to play in "Miss Julie," and offers advice for staying vital as an actor.
Christopher Durang is in an autumnal mood with “Vanya and Sonia and Masha and Spike,” a lovely, generous, and very funny new comedy at Lincoln Center Theater about aging and regret.
Jake Gyllenhaal talks about finding a fresh way of doing things for his upcoming movie "End of Watch" and his American stage debut in "If There Is I haven't Found It Yet."
Three years after it closed in New York, the long-running Off-Broadway revue “Forbidden Broadway” is making a comeback. The newest edition, which parodies past and present Broadway musicals, opens Sept. 6 for a limited run.
The Pearl Theatre Company opens its new home with a fun, frolicsome, and freely adapted edition of Beaumarchais’ “The Marriage of Figaro” that holds its own against the famed opera.
Sara Fousekis, the USC School of Dramatic Arts’ new director of development, shares her secrets of successful fundraising.
Lloyd Suh’s charismatic “Jesus in India,” from Ma-Yi Theater Company, excels by presenting the teenage Jesus of Nazareth as an angsty adolescent punk rocker in first-century India.