Lloyd Suh’s charismatic “Jesus in India,” from Ma-Yi Theater Company, excels by presenting the teenage Jesus of Nazareth as an angsty adolescent punk rocker in first-century India.
Starring Carolee Carmello, Gifford’s new musical, “Scandalous,” re-creates the life of legendary preacher Aimee Semple McPherson.
Tarrell Alvin McCraney’s “In the Red and Brown Water” get its L.A. premiere courtesy of Fountain Theatre in director Shirley Jo Finney’s fluid, highly charged production.
Playwrights across the world are encouraged to submit their work to the second annual festival, be it play, musical, or puppetry
Casting director David Caparelliotis on casting for Broadway and Off-Broadway and finding rappers for a new musical about Tupac Shakur.
Diane Paulus, the artistic director of the American Repertory Theater and director of the Broadway revival of “Pippin,” shares what she looks for in actors.
“Old Hats,” an uproarious comic revue at Signature Theatre, stars the superheroes of clowning, Bill Irwin and David Shiner, aided by the enchanting singer-songwriter Nellie McKay.
A romantic moment between two male leads and the addition of brief male nudity derail the L.A. Gay and Lesbian Center’s fall production of “Deathtrap,” after playwright Ira Levin's estate revokes the rights.
Writer-performer Steven Strafford’s “Methtacular!” breaks no new ground in the genre of drug-addiction narratives but still feels fresh and funny, thanks to his charming presence and musical comedy style.
Emmy-nominated actor John Stamos, who appeared along side James Earl Jones in "Gore Vidal's The Best Man," says Jones' performance in "Fences" gave him goose-bumps.