Director/writer/performer Ben Rimalower shares how he turned his obsession with Patti LuPone into a hit one-man show.
Under director Sean Mathias’ eye playwright Richard Greenberg has adapted Truman Capote’s “Breakfast at Tiffany’s” for Broadway with remarkable fidelity—and that’s the problem.
Bruce Graham’s “The Outgoing Tide” is a poignant family drama, given an estimable if imperfect production with Michael Learned and Peter Strauss as a long-married couple facing Alzheimer’s.
At South Coast Repertory, director David Emmes gives Alan Ayckbourn’s “Absurd Person Singular” an ideally cast staging, its finger on the pulse of this tragicomic masterwork.
From screen stars Tom Hanks and Alec Baldwin to stage stars Jeremy Shamos and Bobby Cannavale, there’s something for everyone as shows rush to open in April before the Tony Award eligibility cutoff date.
David Henry Hwang’s 1997 Obie Award–winning “Golden Child” returns via Signature Theatre in director Leigh Silverman’s exemplary production featuring a superb ensemble cast.
Long Beach Playhouse has a disaster on its hands with David Lindsay-Abaire’s first play, “Fuddy Meers,” a Christopher Durang–like comedy that stubbornly refuses to come to life.
Starring Carolee Carmello, Gifford’s new musical, “Scandalous,” re-creates the life of legendary preacher Aimee Semple McPherson.
Donald Freed’s outstanding “Tomorrow,” from Skylight Theatre Company, Rogue Machine, and Britain’s York Theatre Royal, explores the mentor-mentee relationship among three actors.
Musical Theatre West’s “42nd Street,” the mother of all backstage musicals—and Broadway’s salute to itself and all things musical theater—is lively, kinetic, and jubilant.