In “Smoke and Mirrors,” at the Road Theatre Company, magician Albie Selznick mixes a fun evening of illusions and sleight-of-hand with a semiautobiographical coming-of-age story.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
This oblique play by the Debate Society escorts audiences into the unforgettable world of a unique 1950s Chicago suburb, gleefully piling on layer upon layer of affecting detail in its set design.
Mario Correa's Fringe concoction "Tail! Spin!" arranges the comments of Larry Craig, Mark Foley, Mark Sanford, and Anthony Weiner for big if cynical laughs.
A Noise Within’s hugely entertaining rendition of Thornton Wilder and Ken Ludwig’s version of George Farquhar’s 1707 comedy “The Beaux’ Stratagem” is an utterly charming evening.
Director at the Institute of Outdoor Theatre Michael C. Hardy talks about the benefits, challenges, and craft-strengthening aspects of working in the outdoors.
Michael Rabe’s “The Future Is Not What It Was,” the inaugural production of the Kindling Theater Company, is a veritable soup of a play with intriguing hints of promise.
"Pippin" star Patina Miller is on the cover of Backstage this week! She chats about how she prepared to play the Leading Player - it involves the trapeze! - and why she feels lucky to be on Broadway.
August Strindberg Repertory Theatre’s well-acted adaptation of “Easter,” about a family trying to redeem itself after its patriarch is jailed, has an all-black cast.
The New Ohio Theatre, in collaboration with the IRT Theater, will launch the Archive Alliance Residency program on October 8.