Get coached on how to vocally style your audition for shows like “Kinky Boots,” “American Idiot,” and “Rock of Ages!”
Ben Johnson’s 1606 comedy about greed, “Volpone,” from Red Bull Theater, is deliciously silly and features a cast including Stephen Spinella, Tovah Feldshuh, and Alvin Epstein.
Lindsay Mendez and Derek Klena star in Second Stage Theatre premiere of "Dogfight" set in the Vietnam War era.
“Dukus,” Target Margin’s largely successful reworking at the Brick of a 1925 play about a duke who converts to Judaism and embraces martyrdom, is nonrealistic and savagely comic.
The man behind the new indie drama “Blue Caprice” and the Tony-winning revival of “The Gershwins’ Porgy and Bess” knows what actors want—a great story.
Varying skill levels among the actors create an erratic quality that mars this rare production of Corneille’s “Le Cid,” from Storm Theatre and Blackfriars Repertory Theatre.
Hundreds of students took to the Broadhurst Theater stage Monday morning, making their Broadway debut before their peers, educators and supporters, as part of Broadway Junior Celebration.
Dion Millington provides a fresh take on Effie White, but director-choreographer Keith Lee Grant can’t do the same for Harlem Repertory Theatre’s production of “Dreamgirls.”
More examination of Molière than scripted event, California Repertory Company’s “Tartuffe Lab,” directed by Eberhard Koehler, is a rollicking, hugely original freeform grab bag.
Employing Chinese brocades as puppets and featuring films of disappearing ink paintings, “Strange Tales of Liaozhai,” at Here, is visually exquisite but theatrically somnolent.