Michael Rabe’s “The Future Is Not What It Was,” the inaugural production of the Kindling Theater Company, is a veritable soup of a play with intriguing hints of promise.
"Pippin" star Patina Miller is on the cover of Backstage this week! She chats about how she prepared to play the Leading Player - it involves the trapeze! - and why she feels lucky to be on Broadway.
Dion Millington provides a fresh take on Effie White, but director-choreographer Keith Lee Grant can’t do the same for Harlem Repertory Theatre’s production of “Dreamgirls.”
Open Fist Theatre Company’s account of Eugene O’Neill’s “Hughie,” a one-act dating to the early 1940s that was first staged after the playwright’s death, is spare but compelling.
Buran Theatre’s splendid and trippy “Nightmares: a demonstration of the Sublime,” at the Brick, is an intriguing sensory echo chamber for freeform ideas about art and authorship.
Director Dave Barton’s outstanding new adaptation of Thomas Middleton and William Rowleys’ 1622 tragedy “The Changeling,” at Long Beach Playhouse, proves accessible and timely.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.
The 67th Annual Tony Awards will return to Radio City Music Hall. Nominees will be announced April 30.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.