Dion Millington provides a fresh take on Effie White, but director-choreographer Keith Lee Grant can’t do the same for Harlem Repertory Theatre’s production of “Dreamgirls.”
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
Ron Clark and Sam Bobrick’s 1979 Broadway flop “Murder at the Howard Johnson’s” gets a cozy and amiably acted revival. It’s trite and shallow, but the laughs come consistently.
Director Dave Barton’s outstanding new adaptation of Thomas Middleton and William Rowleys’ 1622 tragedy “The Changeling,” at Long Beach Playhouse, proves accessible and timely.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
James Lapine and Stephen Sondheim’s 1994 Tony Award–winning musical “Passion” suffers under John Doyle’s dry, overintellecutalized, slackly paced direction at Classic Stage Company.
This revival of Philip Yordan’s 1944 drama “Anna Lucasta,” from Robey Theatre Company and Latino Theater Company, is generally successful despite one overwrought lead performance.
The 67th Annual Tony Awards will return to Radio City Music Hall. Nominees will be announced April 30.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
Jessica Johnson shares how actors can maximize their publicity in theater.