Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
James Lapine and Stephen Sondheim’s 1994 Tony Award–winning musical “Passion” suffers under John Doyle’s dry, overintellecutalized, slackly paced direction at Classic Stage Company.
Aléna Watters, a Broadway actor who is featured in Stephanie Riggs’ new documentary “The Standbys,” offers her advice for Broadway understudies.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
This revival of Philip Yordan’s 1944 drama “Anna Lucasta,” from Robey Theatre Company and Latino Theater Company, is generally successful despite one overwrought lead performance.
Though it’s atmospherically rich and solidly performed, Adam Rapp’s new play set in a war-ravaged New York ultimately sags under an excess of exposition.
Edward Albee’s “Who’s Afraid of Virginia Woolf?” may be 50 years old, but you’d never guess it from Steppenwolf’s jolting Broadway revival starring Tracy Letts and Amy Morton.
The Tony Awards are coming up on June 9! Leading up to Broadway's biggest night, we'll be sharing some of our exclusive videos with the nominees as we chat with them about the lessons they've learned along the way.
The show must go on, but for theatergoers at Broadway shows, the show will go on at a discount.
Freddy Rodriguez talks about returning to the stage in David Mamet's "American Buffalo" and offers strategies for maintaining a long acting career.