Freddy Rodriguez talks about returning to the stage in David Mamet's "American Buffalo" and offers strategies for maintaining a long acting career.
Jessica Johnson shares how actors can maximize their publicity in theater.
A selection of Broadway's young stars will put on an evening of song and dance for the second annual "Artists for World Peace on Broadway" benefit.
Broadway’s Spring 2013 season is looking to be a slate of revivals, star vehicles, and British imports.
L.A.'s Theatre West turns to fundraising to increase the number of productions in its season.
Christopher Durang is in an autumnal mood with “Vanya and Sonia and Masha and Spike,” a lovely, generous, and very funny new comedy at Lincoln Center Theater about aging and regret.
Under director Sean Mathias’ eye playwright Richard Greenberg has adapted Truman Capote’s “Breakfast at Tiffany’s” for Broadway with remarkable fidelity—and that’s the problem.
Mike Vogel’s new “comedy with heart,” “March Madness,” is getting a top-notch production from Abingdon Theatre Company that features a first-rate cast led by Tom Mardirosian.
Baldwin, who stars in "Big Fish" on Broadway, chats about working on the project, her thoughts on auditioning, and the key to developing a character.
Director Deloss Brown’s adaptation of French novelist Stendhal’s complex masterpiece “The Red and the Black,” at the Theatre at St. Clement’s, reduces it to a domestic comedy.