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  • Reviews

    Euripides’ Helen

    Playwrights’ Arena gives the rarely performed “Euripides’ Helen” the Hollywood treatment, with Rachel Sorsa and Maxwell Caulfield as a Spartan Nick and Nora, at the Getty Villa.

  • Reviews

    Our Lady

    Author-director-actor James Fluhr’s “Our Lady,” a Fringe show about countering homophobic bigotry, is as stunning a piece of performance art as you’re ever likely to encounter.

  • Reviews

    Strindberg's 'Easter' Proves Timeless

    August Strindberg Repertory Theatre’s well-acted adaptation of “Easter,” about a family trying to redeem itself after its patriarch is jailed, has an all-black cast.

  • Reviews

    'Tomorrow' Is a Treat

    Donald Freed’s outstanding “Tomorrow,” from Skylight Theatre Company, Rogue Machine, and Britain’s York Theatre Royal, explores the mentor-mentee relationship among three actors.

  • Interview

    Kathie Lee Gifford Revives an Evangelist on Broadway

    Starring Carolee Carmello, Gifford’s new musical, “Scandalous,” re-creates the life of legendary preacher Aimee Semple McPherson.

  • Reviews

    'Hate' Is a Symphony of Bigotry

    In Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio’s “I Hate Fucking Mexicans,” at the Flea Theater, the piling on of political incorrectness becomes almost poetic.

  • Reviews

    Don’t Miss ‘The Laramie Project Cycle’

    Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.

  • News

    LaGuardia High School Benefits from Some Sweet Charity

    LaGuardia High School's upcoming performance of "Sweet Charity" will rise to the next level thanks to a generous donation by SINGER.

  • Interview

    Katie Finneran on Training With Uta Hagen

    Katie Finneran, who stars as Miss Hannigan in the Broadway revival of "Annie," shares what she learned from acting legend Uta Hagen.

  • Reviews

    'Years to the Day' Indicts the Digital Age

    “Years to the Day,” Allen Barton’s rant-filled bromance from Skylight Theatre Company at the Beverly Hills Playhouse, is talky, often static, and full of predictable moments.