"Mad Men" star and Back Stage subscriber Rich Sommer explains how improv helped his career and admits he's "freaking out" about his upcoming Broadway debut.
A possible touring version of the Broadway musical resurrects safety questions.
There’s so much that’s right about director James Lapine’s joyous revival of “Annie” that it’s particularly painful to have to note the one element that isn’t working.
How to get out of the head and into the body.
Haaz Sleiman has come a long way from Lebanon, and yet he feels an inherent connection to "Venice," a new musical loosely inspired by Shakespeare's "Othello" and currently playing at TNew York's the Public Theater.
Although Frank Winters’ new play of dark deeds in Iraq, “On the Head of a Pin,” at 59E59 Theaters, is protracted and unwieldy, it does indicate a promising if undisciplined talent.
The documentary "Broadway Idiot" traces the journey of the musical "American Idiot" from conception to Broadway.
Bulgarian author Ivan Dimitrov’s debut play, “The Eyes of Others,” at the New Ohio Theatre, is a thin and derivative absurdist comedy that features some first-rate performances.
In Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio’s “I Hate Fucking Mexicans,” at the Flea Theater, the piling on of political incorrectness becomes almost poetic.
Harry Gibson’s stage version of Irvine Welsh’s novel “Trainspotting” is not for the faint of heart, but Roger Mathey’s strong direction and solid performances deliver the goods.