In its West Coast debut at 24th Street Theatre, Mike Kenny’s diaphanous memory play “Walking the Tightrope” may be geared for young audiences, but it’s a special treat for all ages.
How to get out of the head and into the body.
Haaz Sleiman has come a long way from Lebanon, and yet he feels an inherent connection to "Venice," a new musical loosely inspired by Shakespeare's "Othello" and currently playing at TNew York's the Public Theater.
Michael Kimmel discusses "The Last Goodbye," a musical adaptation of "Romeo and Juliet" with Jeff Buckley music, and how he collaborates with actors.
In Jonathan Tolins’ witty “Buyer & Cellar,” at Rattlestick Playwrights Theater, an impish Michael Urie plays a struggling actor who gets an unusual job working for Barbra Streisand.
Bulgarian author Ivan Dimitrov’s debut play, “The Eyes of Others,” at the New Ohio Theatre, is a thin and derivative absurdist comedy that features some first-rate performances.
Austin Pendleton directs and performs in Mississippi Mud Productions’ account of Tennessee Williams’ “Suddenly Last Summer,” but the barebones presentation is an acting-class exercise.
In Doug Hughes’ tough-minded production for Roundabout starring Bobby Cannavale, “The Big Knife,” Clifford Odets’ gimlet-eyed look at selling out, wreaks harrowing emotional devastation.
Everybody say yeah! The Cyndi Lauper tuner “Kinky Boots” pulled what many saw as an upset over the West End hit “Matilda” for the best musical trophy at the 67th annual Tony Awards at Radio City Music Hall on Sunday night.
In Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio’s “I Hate Fucking Mexicans,” at the Flea Theater, the piling on of political incorrectness becomes almost poetic.