With “Forbidden Broadway: Alive and Kicking!,” creator, writer, and co-director Gerard Alessandrini returns after a three-year sabbatical sharper and funnier than ever.
L.A.'s Theatre West turns to fundraising to increase the number of productions in its season.
In Jonathan Tolins’ witty “Buyer & Cellar,” at Rattlestick Playwrights Theater, an impish Michael Urie plays a struggling actor who gets an unusual job working for Barbra Streisand.
Del Shores ("Sordid Lives") knew that he needed to make his play "Southern Baptist Sissies" into a film, and on a budget, he created something inventive—a film of the play.
Baldwin, who stars in "Big Fish" on Broadway, chats about working on the project, her thoughts on auditioning, and the key to developing a character.
The songs have long been standards, but O’Hara is excited about offering a fresh take on the material.
“Let’s Kill Grandma This Christmas,” Brian Gianci’s “twisted new comedy,” offers tantalizing hints of depth but traffics mostly in one-note characters and tasteless yuks.
Haaz Sleiman has come a long way from Lebanon, and yet he feels an inherent connection to "Venice," a new musical loosely inspired by Shakespeare's "Othello" and currently playing at TNew York's the Public Theater.
Get coached on how to vocally style your audition for shows like “Kinky Boots,” “American Idiot,” and “Rock of Ages!”
Director Deloss Brown’s adaptation of French novelist Stendhal’s complex masterpiece “The Red and the Black,” at the Theatre at St. Clement’s, reduces it to a domestic comedy.