Adam Szymkowicz’s busy new comedy “The Why Overhead,” from Zootopia Theatre Co., employs a dozen fine actors to portray the lives, loves, and terrors at a customer call center.
“Manilow on Broadway,” Barry Manilow’s return to the Main Stem after nearly 25 years, is a Las Vegas–style concert in which the pop star gives his audience exactly what it wants.
Ransone discusses taking on the theater in "Small Engine Repair" at MCC Theater in New York.
Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
In Cornerstone Theater Company’s “Lunch Lady Courage,” a cast of high school students, community members, and professional actors addresses social issues in this Brecht adaptation.
The LA Stage Alliance, a non-profit arts group, is close to fully funding a community center that includes storage space, a lounge with free coffee, and Wi-Fi.
Writer-director Tina Satter’s impressive “Seagull (Thinking of you),” in P.S. 122’s Coil Festival, is a distilled contemporary homage to the emotional chaos that informs Chekhov.
At Long Beach Playhouse, Adam Seidel’s striking black comedy “Catching the Butcher,” about the inner life of a serial killer, is brilliant and funny but not frivolous.
A new documentary about the legendary Stritch is currently conducting an online fundraising campaign for its final phase of production.
At the Antaeus Company George Bernard Shaw’s controversial classic “Mrs. Warren’s Profession” gets a new lease on life by focusing on how little has changed in the last 120 years.