MFA thesis productions from Columbia University School of the Arts’ Theatre Program will be moving to new off-campus venues, including 3LD Art and Technology Center, the Connelly Theater, and La MaMato, to be closer to the heart of Off-Broadway.
Director Jo Bonney’s flawed revival of Lanford Wilson’s 1975 drama “The Mound Builders,” at Signature Theatre, fails to highlight the subtle exposition with sufficient clarity.
Celebrating the solo genre, the fourth annual festival and its 121 shows have something for every taste.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
"Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.
At the New Group, Ethan Hawke directs and stars in “Clive,” Jonathan Marc Sherman’s rewrite of Bertolt Brecht’s first play, “Baal,” but the show is unrelentingly chaotic and shallow.
Michelle Clunie, star of TV's "Queer as Folk" and "Make It or Break It," on the satisfaction of writing her own work, seeing actors bring her words to life on stage, and performing her own pieces. Clunie's new play, "Us," is now running in New York.
In its West Coast debut at 24th Street Theatre, Mike Kenny’s diaphanous memory play “Walking the Tightrope” may be geared for young audiences, but it’s a special treat for all ages.
Zombie Joe’s Underground’s avant-garde stage adaptation of Dostoevsky’s pioneering paean to human indulgence and perversity, “Notes From Underground,” works like gangbusters.
The Tony Awards are coming up on June 9! Leading up to Broadway's biggest night, we'll be sharing some of our exclusive videos with the nominees as we chat with them about the lessons they've learned along the way.