“The Songs I Love So Well,” at the Irish Repertory Theatre, offers acclaimed Irish entertainer Phil Coulter in a cozy, up-close-and-personal holiday show of sentiment and style.
Katie Finneran, who stars as Miss Hannigan in the Broadway revival of "Annie," shares what she learned from acting legend Uta Hagen.
Terrified of audience participation? The creator-director of “The Human Symphony” uses real-life audience members to perform real-life stories via headphones onstage.
At Long Beach Playhouse, Adam Seidel’s striking black comedy “Catching the Butcher,” about the inner life of a serial killer, is brilliant and funny but not frivolous.
This has been a remarkable journey, which I hope is only the beginning as “Timmy The Great” has a wonderfully universal story. I am blessed with a wonderful cast, a wonderful show, and having a wonderful time.
Musicals Tonight!’s production of an old Cole Porter gem reveals a pristine score sadly saddled with a wordy, witless book. A game cast mines whatever humor can be extracted.
Tracy Letts, Amy Morton, Carrie Coon, and Madison Dirks star in Edward Albee's "Who's Afraid of Virginia Woolf?" on Broadway.
Despite Judd Hirsch’s turn in the title role of Mark St. Germain’s “Freud’s Last Session,” getting its L.A. premiere at the Broad Stage, the hit Off-Broadway play feels locked down.
Tom Hanks makes his Broadway debut in Nora Ephron’s “Lucky Guy,” a breezy but thin account of the life and career of columnist Mike McAlary, displaying potent theatrical technique.
Ransone discusses taking on the theater in "Small Engine Repair" at MCC Theater in New York.