Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
Writer-director Tina Satter’s impressive “Seagull (Thinking of you),” in P.S. 122’s Coil Festival, is a distilled contemporary homage to the emotional chaos that informs Chekhov.
“Working,” a 1978 musical of Studs Terkel’s nonfiction book, conceived by Stephen Schwartz, has been extensively revised by director Gordon Greenberg for Prospect Theater Company.
Julie Kramer’s “The Best of Everything,” based on Rona Jaffe’s novel of the same name, avoids camp for an unflinching look at 1950s sexual mores.
The production will chronicle the life of Brooklyn-born King, who worked her way into the record business as a teenager and would go on to write some of the most popular songs in rock ‘n’ roll history.
Lauren Molina who stars in "Nobody Loves You" at Second Stage chats about the differences between revivals and new work, crazy auditions, and taking off her clothes onstage.
Female superheroes fight for love against Doctor X in Adam Szymkowicz’s “Hearts Like Fists,” a fun, athletic, but overlong comic book of a play from Flux Theatre Ensemble.
Celebrating the solo genre, the fourth annual festival and its 121 shows have something for every taste.
Lyle Kessler’s new play “Collision,” from the Amoralists at Rattlestick Playwrights Theater, starts strongly as a black comedy about American rage but devolves into dank melodrama.
New York Stage and Film honors Stanley Tucci and Anne Tatlock at the organization's annual gala on Sunday night in New York.