Television legend Ed Asner discusses his return to Broadway in "Grace," starring Paul Rudd, Michael Shannon, and Kate Arrington.
The love was definitely in the room at the 58th annual Village Voice Obie Awards, which were hosted by Jessica Hecht and Jeremy Shamos at Webster Hall on Monday night.
Backstage member Tara Battani is a SAG-AFTRA actor who earned her B.A. in theater from St. Edward’s University in Austin, Tex., and has since booked several roles as a result of reading Backstage.
“Fly Me to the Moon,” the new comedy by Marie Jones about the misadventures of two healthcare workers, at 59E59 Theaters in the 1st Irish Festival, is just plain fun.
“On the Future,” presented by the New York Neo-Futurists, adds up to some 80 minutes of lively, inspired frivolity—with serious underpinnings—riffing on the titular theme.
The Elevator Repair Service’s adaptation of “The Great Gatsby,” the Transport Group’s adaptation of a Jonathan Franzen essay, and For/Word Company’s adaptation of Anne Morrow Lindbergh’s writings reinvent adaptation.
Stephanie J. Block chatted about "The Mystery of Edwin Drood," and her experience doing shows like "Wicked" and "The Boy From Oz."
In its riveting U.S. premiere at Los Angeles’ Fountain Theatre, Athol Fugard’s “The Blue Iris” treads delicately across the landscape of the heart.
Returning to Broadway this fall in “The Performers,” Ari Graynor is consciously fighting her recent state of apprehension regarding stage work.
A charge of long-ago sexual abuse triggers the action of Amy Herzog’s “The Great God Pan,” a moving and unsettling look at the nature of identity, from Playwrights Horizons.