National Asian American Theatre Company’s surrealistic adaptation of August Strindberg’s depressing 1907 “A Dream Play” leavens its negativity with visual treats and snappy humor.
Francine Volpe’s new drama “The Good Mother,” at the New Group, is convoluted and uninvolving, save for Mark Blum’s hypnotically fascinating turn as a troubled therapist.
“Black Women: State of the Union—Taking Flight,” at Katselas Theatre Company, is an uneven mix of six new plays, presented by a talented ensemble with personal urgency and passion.
The Creative Collection’s production of Craig Wright’s “Orange Flower Water,” which depicts the shattering effect of adultery on families, is diminished by a few weak performances.
The purpose of the workshop is to create “a learning environment for members to experiment, take risks and learn from moderators and other participants,” according to a press release.
Lee Pace, who is starring in "Golden Age" Off-Broadway, says Joe Mantello gives a "master class" in acting in "The Normal Heart."
For young actors, Pasadena’s A Noise Within and its Summer With Shakespeare program offer an early chance to fall in love with the Bard and classical theater.
In conveying the fascinating events behind the creation of the atomic bomb, Jonathan Alexandratos’ the Fringe show “Chain Reaction” unfortunately never settles on a tone.
The stars of "Bring It On" discuss making their Broadway debuts in the musical written by Jeff Whitty, Lin-Manuel Miranda, Tom Kitt, and Amanda Green.
The Tony-winning play will transfer to Off-Broadway's New World Stages this spring.