Not having an idea for a play hasn’t stopped A.R. Gurney from writing one, and the result is the tedious “Heresy,” a limp religious satire at the Flea Theater.
Beowulf Boritt is a Tony Award–nominated scenic designer who has designed sets for “The Scottsboro Boys,” “Grace,” “Chaplin,” “Rock of Ages,” and more. He designed the set for the musical of “Little Miss Sunshine,” which is playing at Manhattan’s Second Stage Theatre.
Starting next year, the University/Resident Theatre Association (URTA) will open its auditions to members of Actors' Equity looking to attend graduate school.
We chatted with Adam Kantor and Betsy Wolfe about making the recording and their upcoming concerts at 54 Below on October 16-19.
The Civil War draft riots provide the setting for this spirited but unfocused musical from Larry Kirwan of Black 47, presented at the Cell as part of the 1st Irish Festival.
"Entrances, Exits, and Everything in Between with Patti LuPone" is a new weekly YouTube documentary series that gives a look into the personal and professional life of the Broadway legend.
A Q&A with Robert Simonson, author of "Performance of the Century: 100 Years of Actors Equity Association and the Rise of Professional American Theater.”
A dead Nazi soldier implicitly seeks the audience’s approval in “Soldier,” Jonathan Draxton’s well-acted, poorly staged exercise begun as a class assignment and now at Here.
International City Theatre hasn’t, as advertised, re-envisioned “Ain’t Misbehavin’,” the 1978 Tony Award–winning Fats Waller revue, but that doesn’t mean the joint ain’t jumpin’.
“House/Divided,” at BAM from the Builders Association, is a politically potent reflection of America’s identity crisis after the Great Recession that’s smart, alive, and haunting.