Photo Source: Frank Zurita
"Bintou" immediately casts a spell with its blend of spiritual and natural warfare. Against a backdrop of earth tones and African customs, the story of a girl gone wild develops with an urgency that cannot be ignored, under David Mendizábal's feverish direction. The goings-on, framed by the chorus (Audrey Hailes, Cherrye J. Davis, and Joy Caldwell) with the right combination of sexuality, witchcraft, and grace, unfurl like a scroll detailing Africa's history and Western society's ravaging of it. Like the character, "Bintou" will not stand for a lukewarm reception. It demands that you sit at attention, lean forward, and either wish for the protagonist's salvation, as her hapless family does, or watch as she arbitrarily dispenses it to the wayward. The dialogue, in Chantal Bilodeau's translation, is alternately lyrical, proverbial, and convoluted, but always exciting and thought-inducing.
We may not be able to fully define Bintou—she will happily define us—but by her own admission, she defies comprehension. She is a phenomenon that appears for only 90 minutes but is well worth the tithing of time and modest ticket price.
Presented by the Movement Theatre Company at Harlem School of the Arts, 645 St. Nicholas Ave., NYC. June 25–July 10. Thu. and Fri., 8 p.m.; Sat., 2 and 8 p.m. www.themovementtheatrecompany.org.