The following are individual critics' "best of" lists, minus Garland winners for whom they voted.
Paul Birchall
PRODUCTION: Focus Today, Burglars of Hamm at the Powerhouse Theatre; Peace Squad Goes 99 Cents, Evidence Room.
PLAYWRITING: Art Brown, Minding Goodman, Edgmar Center for the Arts; Patricia Cotter, Three, Electric Lodge; Kyle Jarrow, A Very Merry Unauthorized Scientology Pageant, Powerhouse Theatre Company and Les Freres Corbusier at the Powerhouse Theatre; Ken Jones, Darkside, Elephant Asylum Theatre.
DIRECTION: David Galligan, Like a Dog on Linoleum, Joe Spotts at Elephant Asylum Theatre; Ronnie Larsen, 10 Naked Men, Caryn Horwitz and Jay H. Harris, LLC, at the Cast Theatre; Andy Mitton, Monster, the Miles Memorial Playhouse; Michael Angelo Stuno, Three, Electric Lodge; Tony Tanner, The Oedipus Tree, Plummer Park.
PERFORMANCE: J. Damian Anastasio, Darkside; Barbara Bragg, Western Big Sky, the MET Theatre; Clark Freeman, Monster; Darcy Halsey, Minding Goodman; Sandra Kerns, 2 Across, Santa Monica Playhouse; Susan Matus, Monster; Liz Pocock, La Leçon: The Lesson, City Garage; Steve Vinovich, 2 Across.
ENSEMBLE PERFORMANCE: The casts of A Very Merry Unauthorized Scientology Pageant; Focus Today; Peace Squad Goes 99 Cents; Three; 10 Naked Men.
Jeff Favre
PRODUCTION: Company, Reprise! Broadway's Best at Freud Playhouse; Enchanted April, Pasadena Playhouse; Letting Go of God, Hudson Theatres.
PLAYWRITING: Ray Cooney, Caught in the Net, International City Theatre.
ADAPTATION: Matthew Barber, Enchanted April.
TRANSLATION: L. Flint Esquerra, Anatol Vs., The MET Theatre.
MUSICAL SCORE: Kyle Jarrow, A Very Merry Unauthorized Scientology Pageant, Powerhouse Theatre Company and Les Freres Corbusier at the Powerhouse Theatre.
DIRECTION: Ray Cooney, Caught in the Net; Mark Rucker, Cyrano de Bergerac, South Coast Repertory; Daniel Sullivan, Brooklyn Boy, South Coast Repertory in Association With Manhattan Theatre Club at South Coast Repertory.
CHOREOGRAPHY: Kay Cole, Company.
SCENIC DESIGN: Douglas W. Schmidt, The Royal Family, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre; Tony Straiges, Enchanted April.
LIGHTING DESIGN: Rui Rita, Enchanted April.
COSTUME DESIGN: Robert Blackman, The Royal Family.
HAIR AND WIG DESIGN: Gerald Altenburg, The School for Scandal, Center Theatre Group/Mark Taper Forum at Mark Taper Forum.
SOUND DESIGN: Dan Moses Schreier, Topdog/Underdog, Center Theatre Group/ Mark Taper Forum, in association with Seattle Repertory Theatre at Mark Taper Forum.
PERFORMANCE: Adam Arkin, Brooklyn Boy; Nancy Bell, Enchanted April; Holly Cruikshank, Movin' Out, James L. Nederlander, Hal Luftig, Scott E. Nederlander, Terry Allen Kramer, Clear Channel Entertainment, Emanuel Azenberg, and Visa at Pantages Theatre; Ann Duquesnay, Cookin' at the Cookery, Geffen Playhouse at Brentwood Theatre; Silas Weir Mitchell, Hurlyburly, The MET Theatre; Harold Perrineau, Topdog/Underdog.
ENSEMBLE PERFORMANCE: The casts of A Little Night Music, New York City Opera production presented by Los Angeles Opera at Dorothy Chandler Pavilion; Brooklyn Boy; Enchanted April; Slanguage, Center Theatre Group/Mark Taper Forum, in association with the New York Theatre Workshop and Taper, Too at Ivy Substation; The School for Scandal.
Hoyt Hilsman
PRODUCTION: Chekhov x 4, Antaeus Theatre Company at the NewPlace Theatre Center; Eat Me, Theatre of NOTE; Light, The Theatre@Boston Court.
PLAYWRITING: Jacqueline Wright, Eat Me.
MUSICAL SCORE: Christopher Reiner, Love, ZJU Theatre Group.
DIRECTION: Zombie Joe, Alison Cardoso, and Denise Devin, Love; Jessica Kubzansky, Light; David Lee, 110 in the Shade, Pasadena Playhouse; George C. Wolfe, Caroline, or Change, Center Theatre Group/Ahmanson Theatre, in association with Carole Shorenstein Hays at Ahmanson Theatre.
SCENIC DESIGN: Michael Annania, A Little Night Music, New York City Opera production presented by Los Angeles Opera at Dorothy Chandler Pavilion; Tom Buderwitz, Light.
LIGHTING DESIGN: Michael Gilliam, 110 in the Shade.
PERFORMANCE: John Apicella, Chekhov x 4; Zoe Caldwell, A Little Night Music; JD Cullum, Chekhov x 4; Victor Garber, A Little Night Music; Judith Ivey, A Little Night Music; Jacqueline Wright, Eat Me.
Travis Michael Holder
PRODUCTION: A Perfect Wedding, Center Theatre Group at the Kirk Douglas Theatre; Stage Directions, Ensemble Studio Theatre—The LA Project at [Inside] the Ford and the Odyssey Theatre; Suburbia, Camelot Artists Productions at the Skylight Theatre; Theater District, The Black Dahlia Theatre.
PLAYWRITING: Jessica Goldberg, Sex Parasite, Center Theatre Group/Taper, Too at the Ivy Substation; Richard Kramer, Theater District.
ADAPTATION: Elizabeth Egloff, The Devils, Open Fist Theatre; Steve Martin, The Underpants, Geffen Playhouse; Chay Yew, A Winter People, The Theatre @ Boston Court.
MUSICAL SCORE: John Ballinger, Peace Squad Goes 99 Cents, Evidence Room; Scott DeTurk and James J. Mellon, Dorian, Open at the Top Productions and Denver Center Attractions at the NoHo Arts Center; Jayme Rhae Edwards, Heathen Valley, the Elephant Asylum; William Finn, Elegies: A Song Cycle, Susan Dietz/Canon Theatricals at the Canon Theatre; Kyle Jarrow, A Very Merry Unauthorized Children's Scientology Pageant, Powerhouse Theatre Company and Les Freres Corbusier at the Powerhouse Theatre.
DIRECTION: Jessica Kubzansky, War Music, Geffen Playhouse; Alex Craig Mann, Suburbia; Matt Shakman, Theater District.
CHOREOGRAPHY: Kay Cole, Bark!, Bark! Productions at the Coast Playhouse; Christine Kellogg, A Perfect Wedding; Kitty McNamee, Victorious, Hysterica Dance Co. at the Open Fist Theatre; Ken Roht, Peace Squad Goes 99 Cents.
MUSIC DIRECTION: George Caldwell, Cookin' at the Cookery, Geffen Playhouse at Brentwood Theatre; Carmel Dean, Elegies: A Song Cycle; Robbie Gillman, Dorian; Ryan Scott Oliver, Hedwig and the Angry Inch, Celebration Theatre; Steve Orich, 110 in the Shade, Pasadena Playhouse.
SCENIC DESIGN: Alexander Dodge, The Underpants; Yevgenia Nayberg, Sex Parasite.
LIGHTING DESIGN: Michael Gilliam, War Music; Jose Lopez, A Winter People; Kathi O'Donohue, Daisy in the Dreamtime, Fountain Theatre at [Inside] the Ford; Craig Pierce, Dark Rapture, Evidence Room.
COSTUME DESIGN: Shon LeBlanc and A. Jeffrey Schoenberg, Blithe Spirit, The Cowardice Theatre Company at the Globe Playhouse; Christal Weatherly, A Perfect Wedding.
SOUND DESIGN: Dan Moses Schreier, Dirty Blonde, Pasadena Playhouse; Darron L. West, Slanguage, Center Theatre Group/Mark Taper Forum, in association with the New York Theatre Workshop and Taper, Too at Ivy Substation; Ron Wyand, A Midsummer Night's Dream, A Noise Within; John Zalewski, Homewrecker, Evidence Room.
WIG AND HAIR DESIGN: Paul Huntley, Hairspray, Margo Lion, Adam Epstein, The Baruch-Viertel-Routh-Frankel Group, James D. Stern/Douglas L. Meyer, Rick Steiner/ Frederic H. Mayerson, SEL & GFO, and New Line Cinema, in association with Clear Channel Entertainment, A. Gordon/E. McAllister, D.Harris/M. Swinsky, and J. & B. Osher at Pantages Theatre.
VIDEO PROJECTIONS: Yael Pardess, Slanguage.
FIGHT CHOREOGRAPHY: Jeff Pierce, Suburbia; Steve Rankin, The Royal Family, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre.
PUPPETS: The Jim Henson Company and Martin P. Robinson, Little Shop of Horrors, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre.
ANIMAL TRAINING: William Berloni, Royal Family.
MUSICAL ACCOMPANIMENT: Andjru Werderitsch (Didjeridu), Daisy in the Dreamtime.
PERFORMANCE: Josh Breslow, Theater District; Bill Brochtrup, Theater District; Mary Jo Catlett, Blithe Spirit; Steven Klein, An Infinite Ache, The Black Dahlia Theatre; Emily Kuroda, A Winter People; Peter Musante, The Legend of Alex, Powerhouse Theatre Company at the Powerhouse Theatre; Marianna Palka, Lonesome West, Namaste Theatre Company at the Actors' Gang; Jeanne Sakata, A Winter People; Oren Skoog, Heathen Valley.
ENSEMBLE PERFORMANCE: The casts of Featuring Loretta, the Company of Angels; A Perfect Wedding; Slanguage; Suburbia; War Music.
Tom Jacobs
PRODUCTION: The Paris Letter, Center Theatre Group at the Kirk Douglas Theatre; The School for Scandal, Center Theatre Group/ Mark Taper Forum at Mark Taper Forum; Waiting for Godot, the Rubicon Theatre.
PLAYWRITING: Jon Robin Baitz, The Paris Letter.
ADAPTATION: Steve Martin, The Underpants, the Ensemble Theatre Company of Santa Barbara at the Alhecama Theatre.
MUSICAL SCORE: Joel Silberman and Amanda McBroom, Lady Macbeth Sings the Blues, Rubicon Theatre.
DIRECTION: Walter Asmus, Waiting for Godot; Brian Bedford, The School for Scandal; Nick DeGruccio, Side by Side by Sondheim, the Rubicon Theatre; Robert Grande-Weiss, The Underpants.
SCENIC DESIGN: Gary Wissman, The Night of the Iguana, the Rubicon Theatre.
COSTUME DESIGN: Ann Bruice, The Night of the Iguana; Barbara Lackner, The Underpants; Catherine Zuber, The School for Scandal.
SOUND DESIGN: David Beaudry, The Night of the Iguana.
PERFORMANCE: Cliff DeYoung, Waiting for Godot; Robin Gammel, Waiting for Godot; Patrick Kerr, The Underpants; Amanda McBroom, Lady Macbeth Sings the Blues; Lance Nichols, Driving Miss Daisy, the Rubicon Theatre; Ron Rifkin, The Paris Letter.
ENSEMBLE PERFORMANCE: The casts of Side by Side by Sondheim; Side Man, Malibu Stage Company; The School for Scandal; The Underpants, Geffen Playhouse; The Underpants, the Ensemble Theatre Company of Santa Barbara at the Alhecama Theatre; Waiting for Godot.
Wenzel Jones
PRODUCTION: Hot Mikado, Musical Theatre West at Carpenter Performing Arts Center; Letting Go of God, Hudson Theatres; Take Me Out, Geffen Playhouse at Brentwood Theatre; Talley's Folly, Pasadena Playhouse and Arizona Theatre Company at Pasadena Playhouse; The Awful Grace of God, Shadwell Productions at The Court Theatre; The Ladies of the Camellias, The Colony Theatre.
WRITING: Jack Holmes, The Awful Grace of God; Jacqueline Wright, Eat Me, Theatre of NOTE.
MUSICAL SCORE: Norman L. Berman, The Matchmaker, A Noise Within; Kemal Günüç, Franz Kafka's The Trial, The Write Act Repertory Company.
DIRECTION: Geoff Elliott and Julia Rodriguez Elliott, A Flea in Her Ear, A Noise Within; Alex Craig Mann, Suburbia, Camelot Artists at the Skylight Theatre; Jenny Sullivan, The Awful Grace of God.
CHOREOGRAPHY: Janet Miller, Joseph and the Amazing Technicolor Dreamcoat, Torrance Theatre Co. at Second Stage.
MUSIC DIRECTION: Lloyd Cooper, Hot Mikado; David O, Duel, Oasis Theatre Co. at Hollywood Court Theatre; Ryan Scott Oliver, Hedwig and the Angry Inch, Celebration Theatre.
SCENIC DESIGN: Tom Buderwitz, The Ladies of the Camelias; Eric Larson, Take Me Out; Alana Schmidt, A Flea in Her Ear; Peter Wexler, The Talking Cure, Center Theatre Group/Mark Taper Forum at Mark Taper Forum; James Youmans, Intimate Exchanges, South Coast Repertory.
LIGHTING DESIGN: Michael Gilliam, War Music, Geffen Playhouse; Don Guy, Grand Hotel, The Colony Theatre; Jeff Nellis, A Little Night Music, New York City Opera production presented by Los Angeles Opera at the Dorothy Chandler Pavilion; Kathi O'Donohue, Hedwig and the Angry Inch.
COSTUME DESIGN: Angela Balogh Calin, Intimate Exchanges; ; Philip Heckman, Varla Jean Merman's Under a Big Top!, The Renberg Theatre; Alejo Vietti and Jess Goldstein, Enchanted April, Pasadena Playhouse.
SOUND DESIGN: Marc Gwinn, Intimate Apparel, a Roundabout Theatre Company production presented by Center Theatre Group/Music Center of Los Angeles County at Mark Taper Forum; David Kronmiller, Book of Days, Theatre Tribe; David B. Marling, Hedwig and the Angry Inch; Matthew Spiro, Talley's Folly; John Zalewski, M. Butterfly, East West Players.
HAIR, WIGS, AND MAKEUP DESIGN: Joni Rudesill, The Ladies of the Camellias.
MASK DESIGN: Wendy Gough, Franz Kafka's The Trial.
PERFORMANCE: Mandy Freund, Red Light, Green Light, Theatre of NOTE; Jack Holmes, The Awful Grace of God; Jeffrey Hutchinson, Take Me Out; Brenda Petrakos, The Rose Tattoo, Long Beach Playhouse (Mainstage); Mary Thornton, Book of Days; Jeffrey Roberson, Varla Jean Merman's Under a Big Top; Jacqueline Wright, Eat Me.
ENSEMBLE PERFORMANCE: The casts of Intimate Exchanges; Suburbia; Talley's Folly; War Music.
Dany Margolies
PRODUCTION: Around the World in 80 Days, the Colony Theatre; Caroline, or Change, Center Theatre Group/Ahmanson Theatre, in association with Carole Shorenstein Hays at Ahmanson Theatre; Daisy in the Dreamtime, the Fountain Theatre at [Inside] the Ford.
PLAYWRITING: Martin Crimp, Dealing With Clair, the Matrix; Stephen Legawiec, Salamanticus, Ziggurat Theatre Ensemble at Miles Memorial Playhouse; Carey Lovelace, Couples Counseling, CalArts at the REDCAT; Mac Wellman, Bitter Bierce: Or the Friction We Call Grief, Bottom's Dream at the Zephyr Theatre.
MUSICAL SCORE: Corey Hirsch, The Royal Family, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre; Michael Roth, Fireflow, Bottom's Dream at Ivy Substation.
ADAPTATION/TRANSLATION: Matthew Maguire, Phaedra, Shadow Horse Productions in Association With Occams Razor Theater Company at the Century City Playhouse; Troubadour Theater Company, Santa Claus Is Coming to Motown, Troubadour Theater Company at Falcon Theatre.
DIRECTION: Jessica Kubzansky, War Music, Geffen Playhouse; Stefan Novinski, Around the World in 80 Days; Matt Shakman, Theater District, the Black Dahlia; George C. Wolfe, Topdog/Underdog, Center Theatre Group/ Mark Taper Forum, in association with Seattle Repertory Theatre at Mark Taper Forum.
CHOREOGRAPHY: Matthew Bourne, Nutcracker!, UCLA Live and Center Theatre Group/Ahmanson Theatre at Royce Hall; Lee Martino, Bye Bye, Birdie, Glendale Centre Theatre; Janet Miller, Joseph and the Amazing Technicolor Dreamcoat, Torrance Theatre Co. at Second Stage.
MUSIC DIRECTION: Kimberly Grigsby, Caroline, or Change; Constantine Kitsopoulos, Baz Luhrmann's Production of Puccini's La Bohème, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre; Gerald Sternbach, Kismet, Reprise! Broadway's Best at Freud Playhouse.
SCENIC DESIGN: M.E. Dunn, Midnight Brainwash Revival, Sacred Fools Theater; Lynn K. Jeffries, Lovers and Executioners, South Coast Repertory; Arthur MacBride, The Hunt for Red Willie, Theatre Banshee at the Gene Bua Theatre; Dwight Richard Odle, Tabletop, Laguna Playhouse; Danny Truxaw, Diary of a Madman, the Odyssey Theatres.
LIGHTING DESIGN: Christopher Akerlind, Slanguage, Center Theatre Group/Mark Taper Forum, in association with the New York Theatre Workshop and Taper, Too at Ivy Substation; Laura Mroczkowski, Couples Counseling; Kathi O'Donohue, Daisy in the Dreamtime; Dennis Parichy, Talley's Folly, Pasadena Playhouse and Arizona Theatre Company at Pasadena Playhouse.
COSTUMES: Naila Aladdin-Sanders, Daisy in the Dreamtime; Angela Balogh Calin, Intimate Exchanges, South Coast Repertory; Kathryn Gillespie and Barbara Weisel, The Crucible, Torrance Theatre Company at Second Stage; Shigeru Yaji, Lovers and Executioners.
SOUND: MartÃn Carrillo, Peru in Africa, Venice Theatre Works at Miles Memorial Playhouse; Kevin Rittner, The Conquest of the South Pole, the Odyssey Theatres; Darron L. West, Slanguage; John Zalewski, M. Butterfly, East West Players.
MAKEUP/HAIR: Carol F. Doran (wigs and hair), The Royal Family; Joni Rudesill (wigs and makeup), Around the World in 80 Days.
FIGHT CHOREOGRAPHY: Anthony Barnao, Blood Brothers, from Fables, Foibles, and Fumbles, Blue Sphere Alliance at the Lex.
PUPPETS: Eli Presser (design and execution), Fireflow, Bottom's Dream at Ivy Substation.
PROPS: Goar Galstyan and Lila Waters, Daisy in the Dreamtime; Janet Miller, Gia Inferrera, Megan Pieters, and Kate Barrett, The Odd Couple, Torrance Theatre Company at Second Stage; John G. Williams, The Credeaux Canvas, VS. Theatre Company & the Victory Theatre Center at The Victory Theatre.
PERFORMANCE: Julian Acosta, Lovers and Executioners; John Billingsley, Bitter Bierce: Or the Friction We Call Grief; Alan Blumenfeld, The Winter's Tale, Will Geer Theatricum Botanicum; Dana Dewes, Rocket to the Moon, Pacific Resident Theatre and West Coast Jewish Theatre at Pacific Resident Theatre; Richard Fancy, Rocket to the Moon; Matt Foyer, The Hunt for Red Willie; Arye Gross, M. Butterfly; Alec Mapa, M. Butterfly; Ed F. Martin, Enigma Variations, Theatre 40; Bill McCallum, Othello, Guthrie Theatre and Shakespeare/LA at The Luckman; Lisa Pelikan, Daisy in the Dreamtime; Michael Santo, Talley's Folly; Adam Stein, Nocturne, The Black Dahlia Theatre.
ENSEMBLE PERFORMANCE: The casts of Around the World in 80 Days; Intimate Exchanges; Topdog/Underdog.
Terry Morgan
PRODUCTION: Eleemosynary, Fremont Centre Theatre.
DIRECTION: Terrance Hines, Eleemosynary.
SCENIC DESIGN: Tony Straiges, Enchanted April, Pasadena Playhouse.
PERFORMANCE: Jeff Bergquist, Watch on the Rhine, Will Geer Theatricum Botanicum; Claudia Christian, What the Night Is For, Laguna Playhouse; Jason Danieley, 110 in the Shade, Pasadena Playhouse; Veronica Lauren, Eleemosynary; Jacqueline Schultz, Awake and Sing, International City Theatre.
ENSEMBLE PERFORMANCE: The casts of A Flea in Her Ear, A Noise Within; Eleemosynary.
Dink O'Neal
PRODUCTION: A Bright Room Called Day, The Friends and Artists Studio; An Infinite Ache, The Black Dahlia Theatre; Dry Cleaning, 24th Street Theatre and Theatre Movement Bazaar at 24th Street Theatre; Ouroboros, The Other Side of the Hill Productions, Inc., at The Road Theatre; The White House Murder Case, Theatre Neo at The Hudson Avenue Theatre.
PLAYWRITING: Richard Alger, Tina Kronis, and Jeff Webster, Dry Cleaning; John Cady and Dave Jamison, Death: Or The Playground, Lyric Hyperion Productions at The Stella Adler Theatre; Maurice Chauvet, A Safe Distance, Apartment A at the Electric Lodge; Tony Freitas, Ernie Foster, Part of Dark Holiday: One-Act Festival, Seventy-Six Productions and The Galt Theatre Company at Theatre Unlimited.
DIRECTION: Robin Larsen, An Infinite Ache; Michael Michetti, Ouroboros; Erica Rice and Remi Majekodunmi, A Bright Room Called Day; Matt Walker, Santa Claus Is Comin' to Motown, Troubadour Theater Company at Falcon Theatre; Jeff Webster, Dry Cleaning.
CHOREOGRAPHY: Nadine Ellis, Santa Claus Is Comin' to Motown.
MUSIC DIRECTION: Eric Heinly, Santa Claus Is Comin' to Motown; David O, Twelfth Night, Shakespeare Festival/LA at Pershing Square.
SCENIC DESIGN: Tom Butsch, Snow White: An Enchanting New Musical, Walt Disney Productions at Disneyland's Fantasyland Theatre; David Holmes and Katia Kaplan, King Henry IV, Part One, Circle X Theatre Company at Shakespeare Festival/LA; Bradley Kaye, Clutter, the Colony Theatre; Desma Murphy, Ouroboros.
LIGHTING DESIGN: Paulie Jenkins, Snow White: An Enchanting New Musical; Trevor Norton, Twelfth Night; Jeremy Pivnick, Clutter; Jeremy Pivnick, Ouroboros; Kristie Roldan, King Henry IV, Part One.
COSTUME DESIGN: Linda C. Davisson, Twelfth Night; Ela Erwin, King Henry IV, Part One; Kristina Lenss, A Flea in Her Ear, A Noise Within; Sharon McGunigle, Santa Claus Is Comin' To Motown; Lois Tedrow, The Tangled Snarl and Murder Me Once, Fremont Centre Theatre.
MAKEUP DESIGN: Judi Lewin and Pamela Garey, The Tangled Snarl and Murder Me Once.
SOUND DESIGN: Cricket Myers, Clutter.
PERFORMANCE: Larry Cedar, Around the World in 80 Days, the Colony Theatre; Josh Gordon, Ouroboros; Amy Higgins, Ernie Foster; Eric Johnson, Jerry & Tom, Skypilot Theatre Company at the Whitmore-Lindley Theatre; Beth Kennedy, Santa Claus Is Comin' To Motown; Steven Klein, An Infinite Ache; Louis Lotorto, A Flea in Her Ear; Seth Macari, Paul and Eddie and Saturdays, Parts of Dark Holiday: One-Act Festival; David St. James, The White House Murder Case, Theatre Neo at the Hudson Avenue Theatre; Lisa Valenzuela, Fleetwood Macbeth, Troubadour Theater Company at Falcon Theatre.
ENSEMBLE PERFORMANCE: The casts of Around The World in 80 Days; A Safe Distance; A View of the Dome, Sacred Fools Theater; Dry Cleaning; Ouroboros; Santa Claus Is Comin' to Motown; The White House Murder Case.
Terri Roberts
PRODUCTION: Intimate Apparel, a Roundabout Theatre Company production presented by Center Theatre Group/Music Center of Los Angeles County at Mark Taper Forum; Rocket to the Moon, Pacific Resident Theatre and West Coast Jewish Theatre, Pacific Resident Theatre.
PLAYWRITING: John B. Keane, The Man From Clare, Theatre Banshee, the Gene Bua Theatre; Sunil Kuruvilla, Fighting Words, The Sarah Fulton Group in association with An Claidheamh Soluis/The Celtic Arts Center at the Sean Fallon Walsh Theatre; Suzan-Lori Parks, Topdog/Underdog, Center Theatre Group/ Mark Taper Forum in association with Seattle Repertory Theatre at Mark Taper Forum.
ADAPTATION: Richard Alger, Debbie Devine, and Tina Kronis, Mirror, Mirror, Jay McAdams at 24th Street Theatre; Matthew Barber, Enchanted April, Pasadena Playhouse; Dan Conroy and Michael Sean McGuinness (concept, Dan Harper), Christmas O'Carol, An Claidheamh Soluis/The Celtic Arts Center in association with Valley Shakes at the Sean Fallon Walsh Theatre; Mark O'Donnell and Thomas Meehan, Hairspray, Margo Lion, Adam Epstein, The Baruch-Viertel-Routh-Frankel Group, James D. Stern/Douglas L. Meyer, Rick Steiner/Frederic H. Mayerson, SEL & GFO, and New Line Cinema, in association with Clear Channel Entertainment, A. Gordon/E. McAllister, D. Harris/M. Swinsky, and J. & B. Osher at Pantages Theatre.
MUSICAL SCORE: David Troy Francis (music) and Gavin Geoffrey Dillard & Robert Schrock (lyrics), with additional lyrics by Mark Winkler, Jonathan Heath, and Danny Lukic, Bark!, Bark Productions, The Coast Playhouse; Mark Hollmann (music and lyrics) and Greg Kotis (lyrics), Urinetown, the Musical, The Araca Group and Dodger Stage Holding in association with TheaterDreams Inc. and Lauren Mitchell at Orange County Performing Arts Center and the Wilshire Theatre; Marc Shaiman (music) and Marc Shaiman & Scott Wittman (lyrics), Hairspray; Brenda Varda, Mirror, Mirror, Jay McAdams, 24th Street Theatre.
DIRECTION: Geoff Elliott and Julia Rodriguez Elliott, A Flea in Her Ear, A Noise Within; John Rando, Urinetown, the Musical; Daniel Sullivan, Intimate Apparel.
CHOREOGRAPHY: John Carrafa, Urinetown, the Musical; Kay Cole, Bark!: Lee Martino, Brigadoon, Reprise! Broadway's Best at Freud Playhouse.
MUSIC DIRECTION: Jason DeBord, Urinetown, the Musical; Kimberly Grigsby, Caroline, or Change, Center Theatre Group/Ahmanson Theatre, in association with Carole Shorenstein Hays at Ahmanson Theatre; Jim Vukovich, Hairspray.
SCENIC DESIGN: Tom Buderwitz, Mirror, Mirror; Dan Conroy, Molly Sweeney, the Eclectic Company Theatre and Soft Landing Productions, the Eclectic Company Theatre; Derek McLane, Intimate Apparel; Craig Siebels, Dorian, Open at the Top Productions and Denver Center Attractions at NoHo Arts Center.
LIGHTING DESIGN: Christopher R. Boltz, Mirror, Mirror; Michael Gilliam, 110 in the Shade, Pasadena Playhouse; Jules Fisher and Peggy Eisenhauer, Caroline, or Change; Kenneth Posner (original lighting design) and Jeff Nellis (lighting design), A Little Night Music, New York City Opera production presented by Los Angeles Opera at Dorothy Chandler Pavilion; Brian MacDevitt, Urinetown, the Musical.
COSTUME DESIGN: William Ivey Long, Hairspray; Alejo Vietti and Jess Goldstein, Enchanted April.
SOUND DESIGN: Dan Moses Schreier, Topdog/Underdog; John Zalewski, Mirror, Mirror.
MULTIMEDIA DESIGN: Christopher R. Boltz, Mirror, Mirror.
PERFORMANCE: Zoe Caldwell, A Little Night Music; Robb Derringer, Of Mice and Men, Mercedes Martinez, Pacific Resident Theatre; Dana Dewes, Rocket to the Moon; Richard Fancy, Rocket to the Moon; Victor Garber, A Little Night Music; Harry Groener, Chekhov x 4, The Antaeus Company at NewPlace Theatre Center; Judith Ivey, A Little Night Music; Mark Kudisch, A Little Night Music; Jeff McCarthy, Urinetown, the Musical; Ericjohn Scialo, Of Mice and Men; Amy Pietz, Company, Reprise! Broadway's Best at Freud Playhouse.
ENSEMBLE PERFORMANCE: The casts of An Infinite Ache, The Black Dahlia Theatre; Bark!; Ouroboros, The Other Side of the Hill Productions, Inc., at The Road Theatre; Topdog/Underdog.
Brad Schreiber
PRODUCTION: Bitter Bierce: Or the Friction We Call Grief, Bottom's Dream, Zephyr Theatre; Three Feet Under, Lily Tomlin & Jane Wagner, Evidence Room.
PLAYWRITING: Julianne Grossman, From Bonkers to Botox, 2 Apples Productions in assoc. with Stella Adler Theatre, Stella Adler Theatre; Jay Reiss, That May Well Be True, Stephen Solaka, Hudson Theatre; Yasmina Reza, Life x 3, Warped Productions, Elephant Asylum Theatre; Mac Wellman, Bitter Bierce: Or the Friction We Call Grief.
DIRECTION: Simon Levy, Daisy in the Dreamtime, The Fountain Theatre at [Inside] the Ford; Taylor Negron, Three Feet Under; John Rando, The Underpants, Geffen Playhouse; Randee Trabitz, Remodeling Plans, Flahoola Productions, El Portal Theatre.
SCENIC DESIGN: Tom Buderwitz, Dinah Was, International City Theatre; David Gallo, Thoroughly Modern Millie, Michael Leavitt, Fox Theatricals, Hal Luftig, Stewart F. Lane, James L. Nederlander, Independent Presenters Network, L. Mages/M. Stuart, Dori Berinstein/Dramatic Forces, John York Noble, Whoopi Goldberg, and Olay Regenerist, at Ahmanson Theatre; John Iacovelli, Vincent in Brixton, Pasadena Playhouse.
LIGHTING DESIGN: Leigh Allen, Vincent in Brixton; Jeff Croiter, The Underpants.
COSTUME DESIGN: Ann Closs-Farley, Three Feet Under; Garry Lennon, Dinah Was; Carlos Munoz, Far Away, Odyssey Theatre; Teresa Shea, Focus Today, Burglars of Hamm & Powerhouse Theatre Co, Powerhouse Theatre.
MAKEUP DESIGN: Kristin Hensley, Far Away.
SOUND DESIGN: Kurt Thum, Far Away; Tucker, Life During Wartime, Company of Angels.
PERFORMANCE: Kahlil Ashanti, Basic Training, Barry Josephson, 2nd Stage; John Billingsley, Bitter Bierce: Or the Friction We Call Grief; Jack Conley, Roger and Vanessa, Phantom Limbs Plays & Pictures in assoc. with The Actors' Gang at The Actors' Gang Meredith Patterson, The Underpants; Lisa Pelikan, Daisy in the Dreamtime; Darcie Roberts, Thoroughly Modern Millie; Elizabeth Rodriguez, Roger and Vanessa; Patricia Scanlon, Three Feet Under; Jacqueline Schultz, Awake and Sing!, International City Theatre; Claudia Shear, Dirty Blonde, Pasadena Playhouse; Granville Van Dusen, Golf With Alan Shepard, Falcon Theatre; Sybyl Walker, Dinah Was.
ENSEMBLE PERFORMANCE: The casts of Brooklyn Boy; South Coast Repertory in Association With Manhattan Theatre Club at South Coast Repertory; Golf With Alan Shepard; Life x 3; The Underpants.
Mindy Schupmann
PRODUCTION: Intimate Apparel, a Roundabout Theatre Company production presented by Center Theatre Group/Music Center of Los Angeles County at Mark Taper Forum; Salamanticus, Ziggurat Theatre Ensemble at Miles Memorial Playhouse.
PLAYWRITING: Tazewell Thompson, Constant Star, Laguna Playhouse.
ADAPTATION AND TRANSLATION: Anthony Burgess, Cyrano de Bergerac.
DIRECTION: Dan Bonnell, Stage Directions, Ensemble Studio Theatre—The LA Project at [Inside] the Ford; Daniel Sullivan, Intimate Apparel.
CHOREOGRAPHY: Dana Wieluns, Salamanticus.
MUSIC DIRECTION: Dianne Adams McDowell, Constant Star.
SCENIC DESIGN: Douglas Schmidt, The Royal Family, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre; Douglas Stein, Dirty Blonde, Pasadena Playhouse.
LIGHTING DESIGN: Don Guy, Grand Hotel, the Colony Theatre; Kathi O'Donohue, Exits and Entrances, The Fountain Theatre; Dennis Parichy, Talley's Folley, Pasadena Playhouse and Arizona Theatre Company at Pasadena Playhouse; Robert Wiezel, Constant Star, Laguna Playhouse.
COSTUME DESIGN: Robert Blackman, The Royal Family; Garry D. Lennon, Grand Hotel; Shigeru Yaji, Lovers and Executioners, South Coast Repertory.
MAKEUP DESIGN: Hilla Peer, Exits and Entrances.
SOUND DESIGN: Drew Dalzell, Grand Hotel; Jon Gottlieb, The Royal Family; Fabian Obispo, Constant Star.
DOG TRAINER: William Berloni, The Royal Family.
PERFORMANCE: Julian Acosta, Lovers and Executioners; Josh Breslow, Theater District, The Black Dahlia Theatre; Bill Brochtrup, Theater District; Mimi Cozzens, The Constant Wife, Laguna Playhouse; Frank Dooley, It Runs in the Family, Sierra Madre Playhouse; Richard Doyle, Intimate Exchanges, South Coast Repertory; Bonita Friedericy, Miss Margarida's Way, Stage Door Johnny Productions at Zephyr Theatre; Devon Raymond, The Constant Wife.
ENSEMBLE PERFORMANCE: The casts of A Little Night Music, New York City Opera production presented by Los Angeles Opera at the Dorothy Chandler Pavilion; Constant Star; Salamanticus.
Madeleine Shaner
PRODUCTION: An Infinite Ache, The Black Dahlia Theatre; Blithe Spirit, The Cowardice Theatre Company, Globe Playhouse; The Prince of L.A., The Andak Stage Company at NewPlace Theatre Center.
PLAYWRITING: Leslie Jordan, Like a Dog on Linoleum, Joe Spotts at Elephant Asylum Theatre; Stephen Legawiec, Salamanticus, Ziggurat Theatre Ensemble at Miles Memorial Playhouse.
ADAPTATION: Wade McIntyre, Isabella's Fortune, Meadows Basement at Theatre/Theater.
MUSICAL SCORE: Heather Reid, Dear Bernard, Jorja Fox/John Switzer/Katherine Kendall at the Court Theatre.
DIRECTION: Gwen Hillier, Blithe Spirit; Marianne Savell, Angel Street, Actors Co-op at the Crossley Theatre.
CHOREOGRAPHY: Dana Wieluns, Salamanticus.
MUSIC DIRECTION: George Caldwell, Cookin' at the Cookery, Geffen Playhouse at the Brentwood Theatre.
SCENIC DESIGN: Renee Hoss-Johnson, Angel Street; Stephanie Kerley Schwartz, Rocket to the Moon, Pacific Resident Theatre and West Coast Jewish Theatre at Pacific Resident Theatre; Mark A. Thomson, Blithe Spirit.
LIGHTING DESIGN: Bill E. Kickbush, Angel Street; Allen Leigh, Rocket to the Moon.
COSTUME DESIGN: Alex Jaeger, Light, The Theatre@Boston Court; Jenni Kirk, Isabella's Fortune; Paula Post, Angel Street.
WIGS AND MAKEUP: Joyce Cantrell, Light.
SOUND DESIGN: Jonathan Burke, Cookin' at the Cookery; Jon Gottlieb, The Royal Family, Center Theatre Group/Ahmanson Theatre at Ahmanson Theatre.
FIGHT CHOREOGRAPHY: Tim Storms, Salamanticus.
PERFORMANCE: Mary Jo Catlett, Blithe Spirit; Arye Gross, Brooklyn Boy, South Coast Repertory in Association With Manhattan Theatre Club at South Coast Repertory; Dan Harper, The Man From Clare, Theatre Banshee at Gene Bua Theatre; John Kani, Nothing But The Truth, Center Theatre Group/Mark Taper Forum at Mark Taper Forum; Nancy Little, Angel Street; Kelly Mantle, Dear Bernard, the Court Theatre; Dakin Matthews, The Prince of L.A.; Samantha Montgomery, Isabella's Fortune; Jeffrey Nordling, Take Me Out, Geffen Playhouse at Brentwood Theatre; Lawrence Pressman, Chekhov x 4, Antaeus Theatre Co. at NewPlace Theatre; Trey L. Wilson, Stage Directions, Ensemble Studio Theatre—The LA Project at [Inside] the Ford.
ENSEMBLE PERFORMANCE: The casts of Rocket to the Moon; Self-Defense, or, Death of Some Salesmen, The Actors' Gang.
Les Spindle
PRODUCTION: Caroline, or Change, Center Theatre Group/Ahmanson Theatre, in association with Carole Shorenstein Hays at Ahmanson Theatre; Hairspray, Margo Lion, Adam Epstein, The Baruch-Viertel-Routh-Frankel Group, James D. Stern/Douglas L. Meyer, Rick Steiner/Frederic H. Mayerson, SEL & GFO, and New Line Cinema, in association with Clear Channel Entertainment, A. Gordon/E. McAllister, D. Harris/M. Swinsky, and J. & B. Osher at Pantages Theatre; Hedwig and the Angry Inch, Celebration Theatre; Hot Mikado, Musical Theatre West at Carpenter Performing Arts Center; Stage Directions, Ensemble Studio Theatre—The LA Project [Inside] the Ford; Theater District, The Black Dahlia Theatre; The Paris Letter, Center Theatre Group at Kirk Douglas Theatre.
PLAYWRITING: Jon Robin Baitz, The Paris Letter; Greg Kotis, Urinetown, the Musical, The Araca Group and Dodger Stage Holding in association with TheaterDreams Inc. and Lauren Mitchell, the Orange County Performing Arts Center and the Wilshire Theatre; Richard Kramer, Theater District.
ADAPTATION: James J. Mellon & Duane Poole, Dorian, Open at the Top Productions and Denver Center Attractions at the NoHo Arts Center; Richard Morris & Dick Scanlon, Thoroughly Modern Millie, Michael Leavitt, Fox Theatricals, Hal Luftig, Stewart F. Lane, James L. Nederlander, Independent Presenters Network, L. Mages/M. Stuart, Dori Berinstein/ Dramatic Forces, John York Noble, Whoopi Goldberg, and Olay Regenerist, at Ahmanson Theatre; Mark O'Donnell & Thomas Meehan (book), Hairspray.
MUSICAL SCORE: David H. Bell, Hot Mikado; Mark Hollmann (music and lyrics) and Greg Kotis, (lyrics), Urinetown, the Musical; James J. Mellon and Scott DeTurk (music and lyrics), Dorian; Marc Shaiman (music) and Marc Shaiman and Scott Wittman (lyrics), Hairspray.
DIRECTION: Derek Charles Livingston, Hedwig and the Angry Inch; James J. Mellon, Dorian; Michael Morris, The Paris Letter; John Rando, Urinetown, the Musical.
CHOREOGRAPHY: Lee Martino, Brigadoon, Reprise! Broadway's Best at Freud Playhouse; Sean McKnight, Hot Mikado.
MUSIC DIRECTION: Lloyd Cooper, Hot Mikado; Jason DeBord, Urinetown, the Musical; Eric Stern, Thoroughly Modern Millie; Jim Vukovich, Hairspray.
SCENIC DESIGN: Derek McLane, Intimate Apparel; Scott Pask, Urinetown, the Musical; David Rockwell, Hairspray.
LIGHTING: Jules Fisher & Peggy Eisenhauer, Caroline, or Change; Brian MacDevitt, Urinetown, the Musical; Jeremy Pivnick, Ouroboros, The Other Side of the Hill Productions, Inc. at The Road Theatre.
COSTUMES: William Ivey Long, Hairspray.
WIG AND HAIR DESIGN: Paul Huntley, Hairspray; Paul Huntley, Thoroughly Modern Millie.
SOUND: Scott DeTurk, Dorian; Steve C. Kennedy, Hairspray; David B. Marling, Hedwig and the Angry Inch.
PERFORMANCE: Neil Patrick Harris, The Paris Letter; Christopher Sieber, Company, Reprise! Broadway's Best at Freud Playhouse; L. Trey Wilson, Stage Directions; Marissa Jaret Winokur, Hairspray.
ENSEMBLE PERFORMANCE: The casts of Exits and Entrances, the Fountain Theatre; Stage Directions; The Paris Letter.
Jennie Webb
PRODUCTION: Around the World in 80 Days, the Colony Theatre.
PLAYWRITING: Kyle Jarrow, A Very Merry Unauthorized Children's Scientology Pageant, The Powerhouse Theatre Company and Les Freres Corbusier at the Powerhouse Theatre; Steve Monroe, Buffalo Wings, Ensemble Studio Theatre—The LA Project at Stage 52 Playhouse.
ADAPTATION: Mark Brown, Around the World in 80 Days; Lindsay Jones, I Am Yours, The Mad Scene at Ivy Substation.
DIRECTION: Dan Bonnell, Stage Directions, Ensemble Studio Theatre—The LA Project at [Inside] the Ford; Stefan Novinski, Around the World in 80 Days; Jon Lawrence Rivera, Dogeaters, Playwrights' Arena and SIPA at SIPA Performance Space; Jeff Webster, Dry Cleaning, 24th Street Theatre and Theatre Movement Bazaar at 24th Street Theatre.
CHOREOGRAPHY: Ken Roht, Peace Squad Goes 99 Cents, Orphean Circus at Evidence Room.
MUSIC DIRECTION: Lanny Hartley, Dinah Was, International City Theatre; Danielle Hartnet, A Very Merry Unauthorized Children's Scientology Pageant; David O, Duel, Oasis Theatre Company at Hollywood Court Theatre; Brenda Varda, Peace Squad Goes 99 Cents.
SCENIC DESIGN: Jason Adams and Alicia Hoge, Hard Times, Evidence Room; Tom Buderwitz, Summertime, The Theatre@ Boston Court; Desma Murphy, Ouroboros, The Other Side of the Hill Productions, Inc., at The Road Theatre; Craig Siebels, Theater District, The Black Dahlia Theatre.
LIGHTING DESIGN: Jeremy Pivnick, Dinah Was; Steven Young, Summertime.
COSTUME DESIGN: Ann Closs-Farley, Hard Times; Paul Spadone, Duel.
MAKEUP DESIGN: Cast, Four Clowns and a Bench, Factory Theatre at the Complex.
SOUND DESIGN: Drew Dalzell, Around the World in 80 Days; Lindsay Jones, I Am Yours; Eric Pargac and Vonessa Martin, Scenes From the Big Picture, Furious Theatre Company at Pasadena Playhouse Balcony Theatre; John Zalewski, Summertime.
PRODUCTION DESIGN: Jeff Webster, Dry Cleaning, 24th Street Theatre and Theatre Movement Bazaar at 24th Street Theatre.
PERFORMANCE: Jeff Bergquist, Watch on the Rhine, Will Geer Theatricum Botanicum; Carole Gutierrez, I Am Yours; Bart Petty, I Am Yours; Kristen Potter, Bold Girls, the Matrix Theatre; Lawrence Pressman, The Paris Letter, Center Theatre Group at Kirk Douglas Theatre; Anika Noni Rose, Caroline, or Change, Center Theatre Group/Ahmanson Theatre, in association with Carole Shorenstein Hays at Ahmanson Theatre; Sybyl Walker, Dinah Was.
ENSEMBLE PERFORMANCE: The casts of Around the World in 80 Days; A Very Merry Unauthorized Children's Scientology Pageant; Play Strindberg, The Company Rep; Scenes From the Big Picture.
George Weinberg-Harter
PRODUCTION: Bed and Sofa, Cygnet Theatre Company at Cygnet Theatre; Don Juan, The Old Globe at Old Globe Theatre; The Intelligent Design of Jenny Chow, The Old Globe at Cassius Carter Centre Stage; Jersey Boys, La Jolla Playhouse at Mandell Weiss Theatre; Kimberly Akimbo, Moxie Theatre at Lyceum Space.
PLAYWRITING: Marshall Brickman and Rick Elice, Jersey Boys; Jim Caputo, Seema Sueko, Remains, Mo'oelo Performing Arts Company at Ark Center for Performing Arts; Ruff Yeager, Cool As We Fly, Adams Avenue Studio of the Arts.
ADAPTATION: Jeffrey Lane, Dirty Rotten Scoundrels, The Old Globe at Old Globe Theatre.
TRANSLATION: Anne-Charlotte Harvey, A Dream Play, Sledgehammer Theatre at St. Cecilia Playhouse; Dr. Marianne McDonald, Hecuba, 6th@Penn Theatre, 6th@Penn Theatre.
MUSICAL SCORE: David Yazbek, Dirty Rotten Scoundrels.
DIRECTION: Kirsten Brandt, The Intelligent Design of Jenny Chow; Des McAnuff, Jersey Boys; Sean Murray, Bed and Sofa; Delicia Turner Sonnenberg, Kimberly Akimbo; Stephen Wadsworth, Don Juan, The Old Globe at Old Globe Theatre.
CHOREOGRAPHY: Russell Garrett, Kiss Me, Kate, Moonlight Stage Productions at Moonlight Amphitheatre; Lee Martino, Cabaret, Moonlight Stage Production at Moonlight Amphitheatre; Jerry Mitchell, Dirty Rotten Scoundrels; Casey Nicholaw, Lucky Duck, The Old Globe at Old Globe Theatre; Sergio Trujillo, Jersey Boys.
MUSIC DIRECTION: E'Marcus Harper, Crowns, San Diego Repertory Theatre at Lyceum Theatre; G. Scott Lacy, The Last Five Years, North Coast Repertory Theatre; Don LeMaster, Bed and Sofa; Ron Melrose, Jersey Boys; Ted Sperling, Dirty Rotten Scoundrels.
SCENIC DESIGN: Iulian Baltatescu and Nona Ciobanu, The Love of Three Oranges, La Jolla Playhouse at Mandell Weiss Forum; Sean Murray, Escanaba in the da Moonlight, Cygnet Theatre. David Rockwell, Dirty Rotten Scoundels; Robin Sanford Roberts, Bus Stop, The Old Globe at Old Globe Theatre; Kevin Rupnik, Don Juan.
LIGHTING DESIGN: Joan Arhelger, Don Juan; Iulian Baltaescu, The Love of Three Oranges; Aaron Copp, Bus Stop; David Lee Cuthbert, The Intelligent Design of Jenny Chow; Bill E. Kickbush, Art, Lamb's Players at Lamb's Players Theatre.
COSTUME DESIGN: Gregg Barnes, Lucky Duck; Lewis Brown, As You Like It, The Old Globe at Lowell Davies Festival Theatre; Anna Oliver, Don Juan; Giulio Cesare Perrone; Earthquake, Sun; San Diego Repertory Theatre at Lyceum Space; Jeanne Reith and Aina S. O'Kane, The Boy Who Fell Into a Book, Lamb's Player's Theatre at Playhouse on Plaza.
SOUND DESIGN: Paul Peterson; Earthquake, Sun; Deborah Gilmour Smyth, Hamlet, Lamb's Players at Lamb's Players Theatre; George Ye, Escanaba in da Moonlight.
PERFORMANCE: Richard Baird, Measure for Measure, Poor Players at Adams Avenue Studio of the Performing Arts; Norbert Leo Butz, Dirty Rotten Scoundrels; Linda Castro, Kimberly Akimbo; Jill Drexler, Fit To Be Tied, Diversionary Theatre; DeAnna Driscoll, Bus Stop; Robert Grossman, The Chosen; Julie Jacob, Bed and Sofa; Jennifer Eve Kraus, Breaking Legs, North Coast Repertory Theatre; David McBean, Fully Committed, Cygnet Theatre Company at Cygnet Theatre; David McDonald, Lucky Duck; Jonathan McMurtry, Bus Stop; Stepen Payne, Bus Stop; Seema Sueko, The Intelligent Design of Jenny Chow; Kell Van Kirk, The Intelligent Design of Jenny Chow; Andrew Weems, Don Juan.
ENSEMBLE PERFORMANCE: The casts of A Lie of the Mind, New Village Arts & Backyard Productions at Jazzercize Space; Art; Bed and Sofa; Escanaba in da Moonlight; Kimberly Akimbo.