A CSA member since 2007, Loftus tells Backstage about his biggest audition room pet peeves, how much he’s rooting for you, and what anyone interested in casting as a career should know.
CSA member since... 2007.
Upcoming credits: “Creed,” “The Benefactor,” “Slow Learners,” “Zeroes,” and “Untitled M. Night Shyamalan Project”
What do you do when you’re not working?
I like the outdoors so when I’m not working I like to be outside doing something.
How do you choose what projects you work on?
We like to work so we work with producers of projects of all budgets. In film and TV, the projects have to be SAG-AFTRA.
Before actual auditions, how does the casting process begin?
It begins for us with a conversation with the director. Once we get a sense of the director’s vision, we tailor what we are looking for to that.
What is the most common audition room mistake you see?
Not being prepared. Coming into the audition room and not having spent anytime thinking about the character or what is going on in the scene. It’s obvious to everyone in the room.
What do you want every actor walking into your room to know?
That I’m pulling for them; I want them to do well; and I am willing to help them do the best audition possible.
Any projects you wish you had worked on?
For me these are older projects because I would have loved to see the behind-the-scenes on them and to put the core group of actors together.
In addition to open calls, where do you find new talent?
Improvisational groups. Improv actors are fearless and bring a confidence to the audition room. They are very “present” in all they do.
What is the best way for actors to build a strong relationship with you?
Come on time and prepared for auditions. That goes a long way.
How important is training versus experience to you?
Training is important and is the starting point for all talent, but an experienced, trained actor makes the process so much easier for the CD and the director.
What makes a successful casting session?
That is all in the preparation. Getting actors in who fit the role and bring nuances that maybe the director or I never thought about.
What advice would you give to someone who is looking to go into casting as a career?
Learn the business. Watch movies, actors, directors, and understand the history of the industry. A good CD is creative but they also need to know union contracts and be able to navigate the business world and be able to make the two mesh for producers. For me, it was all about interning and getting in with a current CSA member.
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