Photo Source: Anton Nickel
Borg and Rizzolo display the handful of possessions from the first locker, which they bought for $5, and tell us that they have figured out that the items belonged to a pregnant homeless woman named India, who was diagnosed as a paranoid schizophrenic. They base this on the evidence, including anti-psychotic drug prescriptions and a journal, excerpts from which are read by a third performer, Yeauxlanda Kay.
The second locker, the one of the title, belonged to a man named Elliot who had many more possessions and a life far more complex, including an extended family that the performers describe meticulously, based only on the items at hand. They made a rule that they would not contact the former owners.
A highlight is when, in a few brief scenes of imagined dialogue, the two men play the "characters" they have excavated. But it is as if the creators did not trust that their core enterprise would be entertaining enough, so they also stuff it with fake newsreel videos, some ukulele playing, metaphysical speculations, and explanations of the origins of various words ("obscene," they say, is from the Greek meaning "off stage"), stretching the show to an overlong two hours. They also present their findings variously as mock explorers and mock archeologists, in what seems to be an attempt to make a point about the uncertainty of archeology. It only results in an uncertain mix of tones.
Theatergoers also deserve a warning: During the course of the show, one of you will have your purse stolen.
Presented by New York Neo-Futurists at the Monkey, 37 W. 26th St., 12th floor, NYC. May 3–21. Thu.-Mon., 8 p.m. (No performances Sun., May 8, and Sat., May 14.) (212) 352-3101, (866) 811-4111, www.theatermania.com, or www.nyneofuturists.org.