The following list includes every theatre review that appeared in Back Stage during the year. The name of the producing company or the name of the theatre where each production was presented follows the title.
January 2—Aunt Dan and Lemon, presented by the New Group at the Harold Clurman Theatre; Big Apple Circus: Carnevale!, presented by Big Apple Circus at Damrosch Park, Lincoln Center; Circus Oz, presented by the New 42nd Street at the New Victory Theater; Dalliance in Vienna, presented by Genesius Theatre Guild at the American Theatre of Actors; Dinner With Demons, presented by and at Second Stage Theatre; Frame 312, presented by and at Atlantic Theater Company; Golf: The Musical, presented by Erick Krebs at the John Houseman Theater Center; Handy Dandy, presented by the Colleagues Theatre Company at the Neighborhood Playhouse; Innocent When You Dream, presented by Ripple Productions at 100 Grand St.; The Last Letter, presented by Theatre for a New Audience at the Lucille Lortel Theatre; Love & Taxes, presented by Jonathan Reinis Inc. and Z Space Studio in association with the Peccadillo Theater Company at the Bank Street Theatre; Nothing but the Truth, presented by Lincoln Center Theater at the Mitzi E. Newhouse Theater; Primrose in Concert, presented by Musicals Tonight! at the MainStage at the 14th Street YMHA; Rose's Dilemma, presented by Manhattan Theatre Club at City Center Stage I; and Save Me the Waltz, presented by and at the Thirteenth Street Repertory Company.
January 9—Ah, My Dear Andersen!, presented by and at Urban Stages; The Musical of Musicals, presented by the York Theatre Company at Saint Peter's, Citigroup Center; The Regard Evening, presented by Signature Theatre Company at the Peter Norton Space; and Sholom Aleichem—Now You're Talking, presented by Lone Star Theatre Company at DR2 Theatre.
January 16—Iolanthe, presented by the New York Gilbert & Sullivan Players at City Center; and Orestes, presented by EB&C/LightBox at the Phil Bosakowski Theatre.
January 23—No reviews ran this week.
January 30—No reviews ran this week.
February
February 6—Abundance, presented by Working Theater in association with Dance Theater Workshop at Dance Theater Workshop; Doña Rosita the Spinster, presented by Jean Cocteau Repertory at the Bouwerie Lane Theatre; Eden, presented by and at the Irish Repertory Theatre; Five Flights, presented by and at Rattlestick Playwrights Theater; The Good Soup (La Bonne Soupe) in Concert, presented by The Actors Company Theatre at Florence Gould Hall, French Institute/Alliance Française; H.M.S. Pinafore, presented by the New York Gilbert & Sullivan Players at City Center; Landscape of the Body, presented by and at the T. Schreiber Studio; The Last Supper, at The Club at La MaMa E.T.C.; The Mysteries, presented by and at Classic Stage Company; Nymph Errant, presented by and at Medicine Show; These Very Serious Jokes, presented by Target Margin Theater at HERE Arts Center; Unidentified Human Remains and the True Nature of Love, presented by the Oberon Theatre Ensemble at the Pelican Studio Theatre; and What in the World: The NEWSical Revue, presented by Fred M. Caruso at the John Houseman Theatre.
February 13—Kalighat, presented by the Indo-American Arts Council and the Baruch Performing Arts Center in association with Circle East at the Baruch Performing Arts Center; Mother Courage and Her Children, presented by the Classical Theatre of Harlem at HSA Theatre; Shirtwaist, presented by the Lower East Side Tenement Museum and Flying Fig Theater at the Tenement Theatre; and Valhalla, presented by and at New York Theatre Workshop.
February 20—Can-Can in Concert, presented by City Center Encores! at City Center; The Flu Season, presented by Rude Mechanicals Theater Company at the Blue Heron Arts Center; Max Morath: Ragtime and Again, presented by the York Theatre Company in association with Allen D. Petersen at the Theatre at St. Peter's, Citigroup Center; The Parrot, presented by the Flea Theater and the Talking Band at the Flea Theater; and They Wrote That?, at the McGinn/Cazale Theatre.
February 27—Waiting for My Man, presented by CAP21 at the DR2 Theatre.
March
March 5—No reviews ran this week.
March 12—Agamemnon, presented by the Aquila Theatre Company at John Jay Theatre; Bald Diva!, presented by Theatre Askew at the Red Room; The Barksdale Confession, presented by and at the WorkShop Theater Company; Beautiful Child, presented by and at the Vineyard Theatre; Between Two Worlds/The Dybbuk, presented by Tears of Joy Theatre and Mark Levenson and Yeshiva University Museum at the Center for Jewish History; Bridge & Tunnel, at 45 Bleecker Street Theatre; Drowning Crow, presented by Manhattan Theatre Club at the Biltmore Theatre; Fiddler on the Roof, at the Minskoff Theatre; High Heels & Red Noses, presented by Chashama at the Palace of Variety; King Lear, presented by Lincoln Center Theater in association with the Stratford Festival of Canada at the Vivian Beaumont Theater; Mother's Little Helper, presented by Soho Think Tank at the Ohio Theatre; Pericles, presented by and at the Brooklyn Academy of Music; and The Stendhal Syndrome, presented by Primary Stages at 59E59 Theatres.
March 19—Bug, at the Barrow Street Theatre; Magic Hands Freddy, at the SoHo Playhouse; Odyssey: The Homecoming, presented by La MaMa E.T.C. and Skysaver Productions Inc. at the Annex at La MaMa E.T.C.; The Roaring Girle, presented by the Foundry Theatre at the Baruch Performing Arts Center; Sea of Tranquility, presented by and at Atlantic Theater Company; Small Tragedy, presented by and at Playwrights Horizons; Summer and Smoke, presented by Turtle Shell Productions at the Little Theater, West Side YMCA; Summit Conference, presented by Thirteenth Night Theatre Company at Urban Stages; Vincent, presented by and at Wings Theatre Company; The Wild Duck, presented by and at Jean Cocteau Repertory; and Wintertime, at the Second Stage Theatre.
March 26—No reviews ran this week.
April
April 2—Big Bill, presented by Lincoln Center Theater at the Mitzi E. Newhouse Theater; The Big Vig, presented by the Blue Collar Theater Company at the Bank Street Theatre; The Chalk Garden in Concert, presented by The Actors Company Theatre at Florence Gould Hall; Cooking With Lard, presented by White Bird Productions at HERE Arts Center; Double Infidelity, presented by and at the Pearl Theatre Company; Embedded, presented by and at the Public Theatre; Frozen, presented by MCC Theater at the East 13th Street Theatre; A Midsummer Night's Dream, presented by the Brooklyn Academy of Music at the BAM Harvey Theater; More, presented by Kevin Schon at the Union Square Theatre; Open Heart, presented by and at the Cherry Lane Theatre; and Sweeney Todd, presented by the New York City Opera at the New York State Theater at Lincoln Center.
April 9—Barbara Cook's Broadway, presented by Lincoln Center Theater at the Vivian Beaumont Theater; Gay Divorce in Concert, presented by Musicals Tonight! at the MainStage of the 14th Street Y; Great Men of Gospel, presented by New Federal Theatre at the Harry De Jur Playhouse at Henry Street Settlement's Abrons Arts Center; The Journals of Mihail Sebastian, presented by Keen Company at the Theater at 45th Street; Sly Fox, at the Ethel Barrymore Theatre; Twentieth Century, presented by Roundabout Theatre Company at the American Airlines Theatre; and Vampire Cowboy Trilogy, presented by Vampire Cowboys Theatre Company at the Common Basis Theatre; Well, presented by and at the Public Theater.
April 16—First Lady Suite, presented by Transport Group at the Connelly Theatre; Johnny Guitar, presented at the Century Center for the Performing Arts; Match, at the Plymouth Theatre; The Pagans, presented by and at Abingdon Theatre Company; and Pardon My English in Concert, presented by City Center Encores! at City Center.
April 23—Bee-Luther-Hatchee, presented by Blue Heron Theatre at the Blue Heron Arts Center; Ears on a Beatle, presented by Daryl Roth, Leon Wildes, and Debra Black at the DR2 Theatre; The Fist, presented by and at Theater for the New City; From Door to Door, presented by Morton Wolkowitz and Chase Mishkin at the Westside Theatre; In the Belly of the Beast Revisited, presented by and at 29th Street Rep; Roar, presented by the New Group at the Harold Clurman Theatre; Sixteen Wounded, at the Walter Kerr Theatre; and Troilus and Cressida, presented by Marcian Productions at the Clemente Solo Velez Cultural & Community Center's Milagro Theater.
April 30—The Appeal, presented by and at Soho Rep; Assassins, presented by Roundabout Theatre Company at Studio 54; Hercules in High Suburbia, presented by and at La MaMa E.T.C.; Hollywood at Sunset, presented by TOSOS II at NativeAliens' Flatiron Playhouse; Mrs. Farnsworth, presented by and at the Flea Theater; Rashomon, presented by Entero at St. Veronica's Church; Sarah, Sarah presented by Manhattan Theatre Club at City Center Stage II; Seeking Eden, presented by Blunt Theater Company and Brian Snapp at Trilogy Theatre; and Silent Laughter, presented by Carolyn Rossi Copeland in association with the Lamb's Theatre Company at the Lamb's Theatre.
May
May 7—Bessie, the Butcher of Palm Beach, presented by and at the Puerto Rican Traveling Theatre; Chicago City Limits Gets AmBUSHed, presented by and at Chicago City Limits; Hannah and Martin, presented by Epic Theatre Center at Manhattan Ensemble Theater; Jumpers, at the Brooks Atkinson Theatre; Mr. Fox: A Rumination, presented by Signature Theatre Company at the Peter Norton Space; The Most Happy Fella, presented by the Village Light Opera Group at the Fashion Institute of Technology's Haft Auditorium; A Raisin in the Sun, at the Royale Theatre; and 7 Eleven Franchised, presented by the Lower East Side Tenement Museum/Desipina Theatre at the Tenement Theatre.
May 14—Blackbird, presented by Edge Theater Company at the Blue Heron Arts Center; Bombay Dreams, at the Broadway Theatre; Engaged, presented by Theatre for a New Audience at the Lucille Lortel Theatre; Finian's Rainbow in Concert, presented by and at the Irish Repertory Theatre; Graceland, presented by and at the WorkShop Theater Company; High Spirits, presented by the St. Bart's Players at St. Bart's Playhouse; Idiot's Delight, presented by and at Vital Theatre Company; Mr. Pim Passes By, presented by and at the Mint Theater Company; The Normal Heart, presented by the Worth Street Theater Company at the Public Theater; Prymate, at the Longacre Theatre; and When We Dead Awaken, presented by and at the Pearl Theatre Company.
May 21—Bare, presented by Dodger Stage Holding and Jack Grossbart/Marc Schwartz at the American Theatre of Actors; Bye Bye Birdie in Concert, presented by City Center Encores! at City Center; Candide in Concert, presented by the New York Philharmonic at Avery Fisher Hall; Caroline, or Change, at the Eugene O'Neill Center; The Internationalist, presented by 13P (Thirteen Playwrights) at 45 Bleecker Theater: 45 Below; Intimate Apparel, presented by Roundabout Theatre Company at the Laura Pels Theatre; and The Tricky Part, at the McGinn/Cazale Theatre.
May 28—As I Lay Dying, presented by Basement Flat with support from Adobe Theatre Company at the Ohio Theatre; Between Us, presented by Manhattan Theatre Club at City Center Stage I; The Distance From Here, presented by MCC Theater at the Duke on 42nd Street; and Tooth and Claw, presented by the Ensemble Studio Theatre and the Alfred P. Sloan Foundation at the Ensemble Studio Theatre.
June
June 4—Chinese Friends, presented by and at Playwrights Horizons; Counsellor-at-Law, presented by the Peccadillo Theater Company at the Bank Street Theater; Guinea Pig Solo, presented by Labyrinth Theater Company in collaboration with the Public Theater at the Public Theater; Have a Heart in Concert, presented by Musicals Tonight! at the MainStage at the 14th Street Y; Here Lies Jenny, at the Zipper Theatre; Homebody/Kabul at the Brooklyn Academy of Music's BAM Harvey Theater; Merrily We Roll Along, presented by and at the Gallery Players; Now That's What I Call a Storm, presented by Edge Theater Company at Blue Heron Arts Center; Sight Unseen, presented by Manhattan Theatre Club at the Biltmore Theatre; Spring Storm, presented by Lobo Theatre at the Theatre of St. Clement's; The Truth About Blayds, presented by the Mint Theater Company; and Where Do We Live, presented by and at the Vineyard Theatre.
June 11—A for Adultery, presented by PASSAJJ Productions Ltd. at the Beckett Theatre; Absolutely Fascinating, presented as part of the Brits Off Broadway 2004 Festival at 59E59 Theaters; African Nights, presented by and at Wings Theatre; The Bourgeois Gentleman, presented by Jean Cocteau Repertory at the Bouwerie Lane Theatre; Boy, presented by Primary Stages at the 45th Street Theatre; Iolanthe, presented by and at Theater Ten Ten; The Joys of Sex, at the Variety Arts Theatre; Light Raise the Roof, presented by and at New York Theatre Workshop; Nossig's Antics, presented by and at Theater for the New City; Tasting Memories, presented by the Colleagues Theatre Company at the Neighborhood Playhouse; The Triangle Factory Fire Project, presented by The Actors Company Theatre at the Harold Clurman Theatre; and Searching for Soula, presented by R. Marisa Petsakos at the Metropolitan Playhouse.
June 18—Address Unknown, presented by D&L Productions at the Promenade Theatre; All Is Almost Still, presented by One Little Goat Theatre Company at the 78th Street Theatre Lab; Berkoff's Women, presented as part of Brits Off Broadway by and at 59E59 Theaters; Dial "M" for Murder, presented by Theatre by the Blind at the Blue Heron Arts Center; The Girl Friend in Concert, presented by Musicals Tonight! at the MainStage of the 14th Street YMHA; The Imaginary Invalid, presented by the Brooklyn Academy of Music at the BAM Harvey Theater; The Life and Times of Lee Harvey Oswald, presented by La MaMa E.T.C. in association with GOH Productions at the First Floor Theatre at La MaMa E.T.C.; The Sea Gull, presented by the White Heron Theater Company at Second Stage Theatre; Spring's Awakening, presented by the Michael Chekhov Theatre Company at the Linhart Theatre at Musical Theatre Works; Toxic Audio, at the John Houseman Theater; The Two and Only, at Atlantic Theater Company; Waitin' 2 End Hell, presented by the National Black Touring Circuit in association with Parker's Place at the 47th Street Playhouse; and The Wheat and the Moon, presented by Ripple Productions at Access Theater.
June 25—Boise, presented by Rattlestick Playwrights Theatre at 224 Waverly Place; The Fastest Woman Alive, presented by Praxis Theatre Project at Theatre on Two; Play, presented by Partial Comfort Productions at the Kraine Theater; and Typewriter Dreams: Three Centuries of One-Act Plays, presented by the Xoregos Performing Company and William & Helen at the Common Basis Theatre.
July
July 2—The Action Against Sol Schumann, presented by the Hypothetical Theatre Company at the 14th Street Y; Fabulation or, The Re-education of Undine, presented by and at Playwrights Horizons; The Gay Naked Play, presented by Emerging Artists Theatre in association with Theatrical Fare at Emerging Artists Theatre; The Marijuana-Logues, presented by Ideal Entertainment Group and Magic Arts & Entertainment at the Actors' Playhouse; and Pullman Car Hiawatha, presented by Keen Company at the Connelly Theatre.
July 9—No reviews ran this week.
July 16—Afterbirth: Kathy and Mo's Greatest Hits, presented by and at Second Stage Theatre; Charlie Victor Romeo, presented by and at P.S. 122; Hurricane, presented by Martin Witts as part of the Brits Off Broadway Festival at 59E59 Theaters; Lovers and Other Stranglers, presented by Moving Parts Theater at the Gene Frankel Theatre; Love in Great Neck, presented by the Jewish Theater of New York in association with Peter Martin at the Triad Theatre; The Lower Depths and Time to Burn, presented by Resonance Ensemble at Manhattan Ensemble Theatre; The Man Who Would Be King, presented by the Aquila Theatre Company at the Baruch Performing Arts Center; Much Ado About Nothing, presented by the Public Theater at the Delacorte Theatre, Central Park; The Mystery Plays, presented by Second Stage Theatre in association with Yale Repertory Theatre; Those Who Can, Do, presented by Clubbed Thumb as part of Summerworks 2004 at the Ohio Theatre; Touch the Names, presented by Apartment 929 at the Abingdon Theatre Arts Complex; and The Threepenny Opera, presented by Jean Cocteau Repertory at the Bouwerie Lane Theatre.
July 23—Echoes of the War, presented by and at the Mint Theater Company; Forbidden Christmas, presented as part of Lincoln Center Festival 2004 at John Jay College Theater; The Greeks, presented by the Imua! Theatre Company at Manhattan Ensemble Theater; The Kidney, presented by Broken Watch Theatre Company at the Sande Shurin Theatre; and Picon Pie, presented by Edmund Gaynes and Nancy Bianconi at the DR2 Theatre.
July 30—No reviews ran this week.
August
August 6—I Need A Guy Who Blinks, presented by Janine Squillari and Tom Noonan at the Paradise Theatre; Fifth Annual Midtown International Theatre Festival: Delilah, at the WorkShop Theater, Main Stage; Insomnia at the WorkShop Theater, Main Stage; Swelter at the WorkShop Theatre, Jewel Box; The Subject Was Roses, at the Workshop Theater, Main Stage; and Toasted, at the WorkShop Theater (July 14-29) and at Where Eagles Dare Theater (Aug. 2 and 7).
August 13—No reviews ran this week.
August 20—Fiction, presented by Roundabout Theatre Company at the Laura Pels Theatre; The Frogs, presented by Lincoln Center Theatre at the Vivian Beaumont Theater; Let's Put On a Show, presented by the Irish Repertory Theatre and Densmore Productions at the Irish Repertory Theatre; Talk Show Confidential, presented by Laura Penney at the Triad Theatre; and The White Liars and Black Comedy, presented by and at Manhattan Theatre Source.
August 27—New York International Fringe Festival: The Imaginary, All-True Leni Riefenstahl Show, at the Studio at the Cherry Lane Theatre; Immortality, at Paul Sharpe Contemporary Art Theatre; and Never Tell, at Access Theater.
September
September 3—New York International Fringe Festival: The Bicycle Men, at the Players Theatre; The Blue Rocks, at the Connelly Theatre; The Cosmic Calamities of Henry Noodle, at the Schaeberle Studio Theatre at Pace University; Haven, at the Next Stage; Host and Guest, at the Michael Schimmel Center for the Arts at Pace University; Mimi Le Duck, at the Players Theatre; and Odysseus Died From AIDS, at the Schaeberle Studio Theatre at Pace University. Dracula, at the Belasco Theatre; The Day Emily Married, presented by Primary Stages at 59E59 Theater; Forever Tango, presented by Jack Utsick/BACI Worldwide LLC at the Sam S. Shubert Theatre; and The Wanderer, presented by the LITE Company in association with the Flea Theater at the Flea Theater.
September 10—New York International Fringe Festival: All the Help You Need: The Adventures of a Hollywood Handyman, at the Access Theater; Die, Die, Diana, at the Michael Schimmel Center for the Arts at Pace University; Eleanor Rigby Is Waiting, at the Black Box at 440 Studios; The Fall, at the Black Box at 440 Studios; Geek Love, at the Linhart Theatre at 440 Studios; Granola! The Musical, at the Michael Schimmel Center for the Arts at Pace University; Le Fromage de Mon Oncle, at the Next Stage; Lulu, at the Lucille Lortel Theatre; The Passion of George W. Bush, at the Michael Schimmel Center for the Arts at Pace University; Reconstruction, at the Schaeberle Studio Theatre at Pace University; Simple Thoughts, at the Connelly Theatre; and Young! Sexy! (and talented?), at the Black Box at 440 Studios. Antigone, presented by the National Asian American Theatre Company at Intar 53; Blue Collar, presented by Barefoot Theatre Company at the 78th Street Theatre Lab; Children's Letters to God, presented by Carolyn Rossi Copeland, Marie B. Corporation, and Broadway Overseas Management at the Lamb's Theatre; Diary of a Chambermaid, presented by Dramahaus New York at Walkerspace; From My Hometown, presented by Lee Summers in association with Leonard Soloway and Steve M. Levy at the Gramercy Theatre; The Loves of Shakespeare's Women, presented by the Federal Bureau of Entertainment in association with the Theatre Guild at the Blue Heron Arts Center; Medea in Jerusalem, presented by 71A Productions at Rattlestick Playwrights Theater; Nora's Bloke, presented by Katherine O'Sullivan at the Blue Heron Arts Center; and Un Busto al Cuerpo (A Bust for Every Body), presented by and at Repertorio Español.
September 17—Guantánano: Honor Bound to Defend Freedom, presented by the Culture Project at 45 Bleecker.
September 24—The Awesome '80s Prom, presented by Ken Davenport at Webster Hall; The Booth Variations; presented by the Moonshine Project at 59E59 Theaters; The John Wayne Principle, presented by Hair of the Dog at the Ohio Theatre; The Lepers of Baile Baiste, presented by Aidan Connolly and Tim Hudson at the Phil Bosakowski Theatre; and The Room/La Habitación, presented by On a Quest Productions as part of Howl!, the Second Annual Festival of East Village Arts, at the Red Room.
October
October 1—2004 New York Musical Theatre Festival: Joe Starts Again, at the 45th Street Theatre; and A Hundred Years Into the Heart, at the 45th Street Theatre. The Bald Soprano and The Lesson, presented by and at Atlantic Theater Company; Blood of the Bear, presented by and at the WorkShop Theater Company; People Be Heard, presented by and at Playwrights Horizons; Squeeze Box, presented by Anne Bancroft at the Acorn Theatre; and The Triple Happiness, presented by Second Stage Theatre at the McGinn/Cazale Theatre.
October 8—2004 New York Musical Theatre Festival: And the Earth Moved, presented by Relentless Pursuits at the 45th Street Theatre; Meet John Doe, presented by Gerle & Sugarman at the Theatre at St. Clement's; Pretty Faces, presented by Actors Cabaret of Eugene at Theater 3; and Top Gun! The Musical, presented by TG!TM Coop Productions at the Puerto Rican Traveling Theatre. Code Orange: On the M15, presented by Theater for the New City in various parks, playgrounds, and streets in the five boroughs of New York City; Cooking the Books: A Recipe for Murder, presented by Richard Mamarella at the Playwright Tavern & Restaurant; Dead Puppet Talk, presented by and at the Kitchen; The Feigned Courtesans, presented by New York Classical Theatre in Central Park; Hedda Gabler, presented by and at New York Theatre Workshop; The Oldest Profession, presented by Signature Theatre Company at the Peter Norton Space; Pugilist Specialist, presented by Chantal Arts + Theatre at 59E59 Theaters; Rose Rage, presented by the New 42nd Street at the Duke on 42nd Street; and Transposition, presented by the La MaMa Puppet Series Festival at the Annex at La MaMa E.T.C.
October 15—Slava's Snowshow, presented by David J. Foster & Ross Mollison at the Union Square Theatre; Symphonie Fantastique, presented by Dodger Stage Holding at Dodger Stages; and White Chocolate, presented by the Culture Project at the Century Center for the Performing Arts.
October 22—2004 New York Musical Theatre Festival: Caligula, presented by Fish Out of Water Productions and Anthony Cole McClendon at the Theatre at St. Clement's; The Eyes Are the First Thing to Go, presented by Paige Price at the 45th Street Theatre; and The Man Who Would Be King, presented by Leftfield Productions Inc. & Musical Writers' Playground LLC and Kevin Duda at the Theatre at St. Clement's. Finer Noble Gases, presented by and at Rattlestick Playwrights Theater; The First (and Last) Musical on Mars, presented by Mars Musical Productions at the Mint Space; Friction, presented by Eastcheap Rep at the Pantheon Theatre; Last Easter, presented by MCC Theatre at the Lucille Lortel Theatre; Lysistrata, presented by IMC Artist Ltd. at City Center; Ondine, presented by Deep Water Productions at Walkerspace; Orpheus, presented by and at HERE Arts Center; Othello, presented by the Brooklyn Academy of Music as part of the Next Wave Festival; Plums in New York, presented by the Icelandic Connection at the Harold Clurman Theatre; Reckless, presented by Manhattan Theatre Club and Second Stage Theatre at the Biltmore Theatre; Richard III, presented by and at the Public Theatre; and String of Pearls, presented by Primary Stages at 59E59 Theaters.
October 29—Brian Dykstra: Cornered & Alone, presented by Jack W. Batman, Margarett Perry, Greg Schaffert in association with Access Theater at the Triad Theatre; The Cinnamon Moths, presented by Britpack Theatre at Urban Stages; Dirty Tricks, presented by and at the Public Theater; The Dybbuk, presented by the Brooklyn Academy of Music at the BAM Harvey Theatre; Flare Path in Concert, presented by The Actors Company Theatre at Florence Gould Hall, French Institute/Alliance Française; Jewtopia, presented by Jenkay LLC and WEJ Productions LLC at the Westside Theatre (Downstairs); Jubilee in Concert, presented by Musicals Tonight! at the 45th Street Theatre; Masquerade, presented by Ten Grand and a Burger Productions Inc. at the Studio at the Cherry Lane Theatre; Metropolitan Operas, presented by Millennium Talent Group in association with Wings Theatre at Wings Theatre; Motel and Hoplite Diary, presented by and at La MaMa E.T.C.; Senpo Sugihara: The Japanese Schindler, presented by the Dora Theatrical Company at the Kaye Playhouse; Triptych, presented by and at the Irish Repertory Theatre; Trying, at the Promenade Theatre; When Aunt Daphne Went Nude, presented by Mirron Productions and Paul Lucas Productions at the Mint Theater; and When It Rains, presented by and at the WorkShop Theater Company.
November
November 5—Edward II, presented by the Queen's Company at the Connelly Theatre; I Love Paris: The Life and Times of Paris Hilton, presented by Twelve Almonds and a Piece of Fruit Productions at the Blue Heron Arts Center; Oswald's Backyard, presented by the Present Company at the Beckett Theatre; Sin (A Cardinal Deposed), presented by the New Group at the Harold Clurman Theatre; Twelve Angry Men, presented by Roundabout Theatre Company at the American Airlines Theatre; and Two Brothers Who Are Not Brothers, presented by All for Two LLC at the Players Theatre.
November 12—Antigone Project, presented by Women's Project in association with Crossing Jamaica Avenue at the Julia Miles Theatre; Beyond the Horizon, presented by Boomerang Theatre at Center Stage NY; Brooklyn, at the Plymouth Theatre; The Chalk Garden, presented by Terese Hayden at Center Stage Theater; The Foreigner, presented by Roundabout Theatre Company at the Laura Pels Theatre; Hecuba, presented by Friendly Fire as part of the Hellenic Festival at 45 Bleecker Theatre; Mom, Dad, I'm Living With a White Girl, presented by Pan Asian Repertory Theatre at the West End Theatre; Nice Guys Finish…, presented by Apricot Sky Productions at the Sande Shurin Theatre; and The Playboy of the Western World, presented by the Jack H. Skirball Center for the Performing Arts.
November 19—Ain't Supposed to Die a Natural Death, presented by the Classical Theatre of Harlem at the HSA Theatre; Danny and the Deep Blue Sea, presented by and at Second Stage Theatre; Cinderella, presented by New York City Opera at the New York State Theater; Five by Tenn, presented by Manhattan Theatre Club at City Center Stage II; The Good Body, at the Booth Theatre; Kazuki: This Is My Earth, presented by Tokyo Gingado Theatrical Company in association with TKO Entertainment Inc. at the Kaye Playhouse, Hunter College; Laugh Whore, presented by Showtime Networks at the Cort Theatre; Meet Me in St. Louis in Concert, presented by Musicals Tonight! at the 45th Street Theatre; Nora (A Doll's House), presented by the Brooklyn Academy of Music as part of the 2004 Next Wave Festival at the BAM Harvey Theatre; Sailor's Song, presented by LAByrinth Theater Company; and The Talk of the Town, presented by the Peccadillo Theater Company in association with William Repicci at the Bank Street Theatre.
November 26—Democracy, at the Brooks Atkinson Theatre; Fall of the House of Usher, presented by Creative Mechanics at the Independent Theater; The God of Hell, at the Actors Studio Drama School Theatre; The Immigrant, Dodger Stages; Nine Parts of Desire, presented by and at Manhattan Ensemble Theatre; Philistines, presented by New Bridge Productions at Shetler Theatre; and Whoopi, at the Lyceum Theatre.
December
December 3—Barton's Crossing, at the Studio at the Cherry Lane Alternative Theatre; Comfort Women, presented by and at Urban Stages; Doubt, presented by Manhattan Theatre Club at City Center Stage I; Faust/How I Rose, at the BAM Harvey Theater; The Hasty Heart, presented by Keen Company at Theatre Three; House/Boy, presented by La MaMa E.T.C. in association with Ma-Yi Theater Company at The Club at La MaMa E.T.C.; 'night, Mother, at the Royale Theatre; People Are Wrong!, presented by the Vineyard Theatre and Target Margin Theatre at the Vineyard Theatre; The Seagull 2288, presented by the Cherry Orchard Centre at the ArcLight Theatre; and Wrong Way Up, presented by the Zipper Theatre and Joshua P. Weiss at the Belt Theatre.
December 10—Belle Epoque, presented by Lincoln Center Theater at the Mitzi E. Newhouse Theater; Marriage, presented by the Pearl Theatre Company at Theatre 80; Pacific Overtures, presented by Roundabout Theatre Company in association with Gorgeous Entertainment at Studio 54; Rodney's Wife, presented by and at Playwrights Horizons; A Second Hand Memory, presented by and at Atlantic Theater Company; The Snow Queen, presented by and at the Looking Glass Theatre; Souvenir, presented by the York Theatre Company in association with Ted Snowdon at the Theatre at Saint Peter's, Citicorp Center; and vejk, presented by Theatre for a New Audience at the Duke on 42nd Street.
December 17—Dame Edna: Back With a Vengeance, at the Music Box Theatre; Falling Off Broadway, presented by Brent Peek, Hydrocracker Ltd., and Sachinis at the Peter Jay Sharp Theatre; Gem of the Ocean, presented by Carole Shorenstein Hays and Jujamcyn Theatres at the Walter Kerr Theatre; La Cage aux Folles, at the Marquis Theatre; A Novel Romance, presented by the Folksbiene Yiddish Theatre at the JCC; A Number, presented by and at New York Theatre Workshop; A Tale of a Tiger, at 59E59 Theaters; and Who is Floyd Stearn?, presented by Rick Waxman at the 47th Street Theatre.
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