Photo Source: J. Charrae Photography
After the two have comically reached a sort of détente, the play veers—unexpectedly and unconvincingly—into a sort of Shavian debate about the ways in which cartoon features send messages about the world to youngsters and what these two might be able to do about it. After they argue, the two enter into an all-out battle as they vie for professional supremacy. Director Ian Morgan's disjointed staging—in which overextended blackouts (quirkily underscored by sound designer Matt Sherwin) retard any tension that builds during scenes—only enhances the piece's lack of cohesiveness.
It's an idea-rich two hours of theater but never truly satisfying. Thankfully, both Benko and Lawler turn in meticulously crafted performances that are never less than captivating and often help pull us through the play's longueurs. Benko has the ability to communicate multiple emotions and thoughts, often in a single gesture, making the character sometimes hilarious and at other points heartbreakingly pitiful. Lawler delivers Dex's zingers with pinpoint accuracy. It's humor that masks the character's vulnerabilities, which are beautifully captured in Lawler's performance. Their skill—yes, I'll say it—animates this uneven theatrical project.
Presented by Rude Mechanicals Theater Company at 59E59 Theaters, 59 E. 59th St., NYC. Jan. 17–31. Tue. and Wed., 7:30 p.m.; Thu.–Sat., 8:30 p.m.; Sun., 3:30 p.m. (212) 279-4200 or www.ticketcentral.com.