Photo Source: Darrett Sanders
For much of the play, the connection between the two stories remains mysterious, though it's finally revealed. Snyder captures our interest by examining an odd subculture that's probably unknown to most of us, though we may have noticed one of its more public signs: the pairs of shoes mysteriously tossed onto overhead power lines. By withholding vital information, and throwing in a couple of red herrings, Snyder turns what might have been a predictable tale into an intricate puzzle.
Director Maureen Huskey uses rap music, projections, and flamboyant fight choreography (by Vonzell Carter) to create an aura of ominous, impending violence, and she extracts fine performances from a tight ensemble. Alston makes an intriguing figure of the mysterious Mar, who's more deeply involved than he seems to be. Johnson provides touching portraits of the feckless characters PeeWee and Juney, and Brown shines as her two sharply differentiated characters, tough Sarah and gentle Sabrina. Richard PierreLouis, Craig Grant, Julian Evens, Alex Elliott-Funk, and Yama offer fine support. Sibyl Wickersheimer provides the clever, detailed, shoe-laden set.
Presented by and at Theatre of Note, 1517 N. Cahuenga Blvd., Hollywood. Apr. 15–May 22. Fri.–Sat., 8 p.m.; Sun., 7 p.m. (323) 856-8611 or www.theatreofnote.com.